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An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,
Sue Steward's rating
Reader rating
Description: Fashion photography by Mert Atlas & Marcus Piggott, Corinne Day, Steven Klein, Paolo Roversi and Mario Sorrenti.
Phone: 0207312 2463
Website: www.npg.org.uk
Trains: Tube: Leicester Square; Rail: Charing Cross 
, Tube / Bus: 3, 6, 9, 11, 12, 13, 15, 23, 24, 29, 53, 77A, 88 
Extra info: Party Hire, Air Conditioning, Pub, Telephones, Food
Porcelain: Mert Atlas and Marcus Piggott's Doll, model Tanya Dziahileva
"A fashion picture is a portrait just as a portrait is a fashion picture," said legendary style photographer Irving Penn.
This intriguing show, featuring original work from five photographers - some unpublished, some seen in magazines from Vanity Fair to Pop, The Face to Harper's Bazaar - explores the links between the two fields.
See more pictures from the exhibition here
The uninspiring opening section by Mert Alas and Marcus Piggott is redeemed by the jewel-like Doll, featuring the porcelain face of Tanya Dziahileva, Kate Moss's recent Dietrich spoof, "Dior Boy" and the implied violence of Christina Ricci's smudged lipstick.
In the main gallery, Mario Sorrenti's large, classy, commercial portraits prove how success hinges on the subjects' involvement in the shoot: Catherine Deneuve lies in furs in a park; a New York performance artist is bound in elastic; the boy DiCaprio plays monsters.
His famous Obsession ad, featuring a naked Kate Moss, leads us to Corinne Day's landmark sessions in which the symbiosis between subject and photographer was paramount.
Day's teenaged Moss, with braids and freckles, exhibits the unadorned beauty that led to the contrived anti-glamour of Day's later Vogue shoot - where Moss wears skimpy knickers and vest - which launched the now incredible criticisms of "heroin chic".
Steven Klein's 21st-century tableaux involving A-list stars are the antithesis of Day's intimate honesty. His collaboration with Madonna (a crinolined Queen Elizabeth and corseted dancer, from her last tour) led to more interesting cinematic games with Brad Pitt and Angelina Jolie which resemble film stills: the noir intrigue of Pitt carrying a limp Jolie into a room; an epic mystery with Jolie on a bed and Pitt drinking beer outside.
Symbolically outside of the exhibition (and outside of fashion), Corinne Day's recent monochrome headshots of Kate Moss are again stirring controversy: now for unmasking the effects of time and lifestyle on the perfect model. It will be the most talked-about, least fashion-based exhibit.
• Until 28 May. St Martins Place, WC2. www.npg.org.uk
Details are correct at the time of publication - please check with venue before booking.
