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Five of the Best...Exhibitions
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Critics' Choice

Film

Andrew O'Hagan

quoteNew Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of itquote

Andrew O'Hagan The Twilight Saga: New Moon Theatre

Henry Hitchings

quoteA smart, prickly and rewarding view of sexual and emotional confusionquote

Henry Hitchings Cock Restaurants

David Sexton

quoteKitchen W8 is a bargain for this area, if such sophistication is what you crave quote

David Sexton Kitchen W8

Reader reviews

Film

Adam, Harrow

quoteToo long and drawn out but very entertaining with excellent special effectsquote

2012 Theatre

Rob, London

quoteThis is a peculiar play and does not work for me. Some of it is very funny but there are real flawsquote

The Habit Of Art Music

Bernard, London

quoteAlex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factorquote

Alexandra Burke

Turner Prize greatest hits

By Louise Jury, Evening Standard 02.10.07

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            Antony Gormley

Memorable masterpieces: Testing A World View (1994) by Antony Gormley


            Damien Hirst

Talking point: Damien Hirst's Mother And Child, Divided (1995)


            Grayson Perry

Innovative: Pots, by Grayson Perry won the award in 2003

Look here too

The Turner Prize has caused controversy for nearly a quarter of a century, with works such as Damien Hirst's cut-up cows and Martin Creed's on-off light.

Now visitors to Tate Britain will be able to remind themselves what all the fuss was about.

Nearly all the key works by the Turner Prize winners since the award began in 1984 have been brought together for a retrospective show.

Gallery: Turner Prize A Retrospective 1984 to 2006

It includes No Woman, No Cry, one of Chris Ofili's most famous paintings incorporating cow dung, Hirst's Mother And Child, Divided (the one with a bisected cow and calf in formaldehyde) and Grayson Perry's pots.

The show is being presented while this year's Turner Prize exhibition moves to Liverpool for a year to mark its term as European Capital of Culture.

Katharine Stout, Tate curator, said the retrospective should convince even those who had been the Turner Prize's staunchest critics.

"What is interesting is how incredibly strong the work looks," she said.

"A lot of it, certainly work from the early years, hasn't been seen here for a long time but it feels as vibrant and exciting as it did at the time.

"It's a slice of history. There are many other artists who were shortlisted who are equally strong and have gone on to have fantastic careers, but it is a reminder of why each of these artists won at the time."

She said Tate Britain had targeted key works from each winner.

"It's all about the work the artists made in that period, not about the scandals or the mechanics of the prize.

"The only work I can say we were slightly disappointed not to get was Rachel Whiteread's Room, which is in the collection of the Museum of Modern Art in New York and is too fragile."

Ms Stout said it was possible to detect shifts in practice as more artists embraced multi-media and video.

For instance, Douglas Gordon's victory in 1996 signalled the serious arrival of film and video work. "Many developments that were considered so new at the time are now accepted," she said.

"The Turner Prize has embraced these developments."

The prize was founded to bring contemporary art to a wider audience and has had troubled periods. It did not take place at all in 1990 because of problems with sponsorship.

Many established names of today have won the award, such as Howard Hodgkin, Antony Gormley and Anish Kapoor. Many are due to visit the show today, including the first winner, Malcolm Morley, who is flying over specially from his home in America.

• Turner Prize: A Retrospective opens tomorrow and runs until 6 January.


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