Tonight:
9°c
New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
Some fares could fall by more than a third when Oyster is extended to every national rail station in London, it has emerged
More...
Modern America through the eyes of its artists
By Amar Singh, Evening Standard 09.04.08
Social life: People's Meeting (1943) by Charles Keller
Mixed: James McConnell's Combo (1951)
Feeling blue: The BlueVase; The Blue Jug (1927) by Blanche Lazzell
Hard work: Sharecroppers (1942) by Robert Gwathmey
Look here too
Sixty years of social and political change that transformed America are explored in a new exhibition featuring some of the country's most influential 20th century artists.
The American Scene: Prints from Hopper to Pollock is unveiled at the British Museum today.
Focusing on the period from 1900 to 1960, the exhibition comprises 147 works from a pool of 74 artists including John Sloan, Edward Hopper, Josef Albers, Franz Kline, Willem de Kooning and Jackson Pollock.
Stephen Coppel, the show's curator, said: “It begins in the early 1900s and finishes just before the emergence of pop art. The work produced was very interesting; the artists were commenting on what was going on around them.
“The works produced during the Depression, for example, were socially conscious and came out of the US government's relief programme.”
The exhibition incorporates some of the key moments that helped form an American artistic identity.
It starts with Sloan's etchings of everyday urban life in the early 1900s and progresses to the works of Hopper and Martin Lewis, two former advertising men who depicted scenes from America's emerging cities. It ends with the more exuberant work of abstract expressionists Pollock and De Kooning.
The show charts the rise of the skyscraper — the symbol of modern progress and prosperity — the Jazz Age, the Depression, the effect of the rise of fascism in Europe, and America's entry into the Second World War.
It is drawn from a library of works including about 600,000 drawings and 2.5 million prints dating from the 15th century to the present day.
Mr Coppel said: “We have the most comprehensive collection of modern American prints outside the US and if we were to try to start this collection from scratch today, it would be impossible, both financially and logistically.”
Next year, the exhibition will travel to galleries in Nottingham, Brighton and Manchester.
The American Scene: Prints from Hopper to Pollock is at the British Museum from tomorrow until 7 September.
Related articles
