Stupid plot lost in Red Mist

My Account
Logout

Create an Evening Standard Account

Use your social network

Save time by using your existing account to sign in to Evening Standard

We'll never share your information or post anything to your account without your permission

Welcome! Sign in here

Use your social network

Save time by using your existing account to sign in to Evening Standard

We'll never share your information or post anything to your account without your permission

Forgot your password ?

Registration

* indicates fields that are mandatory

Email *

Password *

Confirm Password *

First name *

Surname *

Postcode *

Country *

Mobile phone number

Username *

Gender *

Year of birth *

When you sign up...

You will have access to all our online competitions, discounted offers and can post comments on our site.

You will also receive The Weekender newsletter sent every Thursday - it’s full of fantastic offers and ideas for the weekend. You can update your email preferences in your account page when you log in.

Other newsletters and emails

Homes & Property Newsletter - Yes I want to receive the weekly email with all the latest news on property in the capital

Occasionally we would also like to send you relevant emails detailing specific offers either from ourselves or carefully selected partners. If you would prefer not to receive these then please tick the appropriate boxes below. We will never pass on your details.

I do not want to receive additional offers and information from the Evening Standard

I do not want to receive additional offers and information sent by Evening Standard on behalf of carefully selected partners

Terms and Conditions

* I have read, understood and agree to be bound by the terms and conditions of Evening Standard

Registration

Mail Sent for Registration Confirmation.

A confirmation email has been sent. Please activate your account by clicking on the activation link sent in your mail box.

Boy, was he right. The plot is total rubbish, and no amount of slick film-making can make you believe it is worth all the blood and gore we have to sit through. The doubtful heroine is Arielle Kebbel’s young doctor, Catherine, who injects a comatose patient with an untested wonder drug. Instead of helping him, it jolts him into an out-of-body state which allows him to possess innocent people and use them to murder nearly everyone in sight, including lots of semi-naked girls.

Breathnach, whose first feature, I Went Down, premiered at Cannes, has now regressed into making movies like this one and Shrooms. That’s a pity — but Red Mist has a shrewd sense of the box office if nothing else.

Red Mist
Cert: 18