Truffaut took teen spirit to a new level in 400 Blows

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It is, of course, one of the best evocations of youthful travails and uncertainties ever put on film and, if you have never seen it, hasten to do so. All the Antoine Doinel films that followed starred Jean-Pierre Léaud as Truffaut’s alter ego, but this is the best. Léaud embodies Truffaut at 12, left to his own devices by his parents, getting into trouble at school and ending up in a centre for juvenile delinquents.

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Henri Decae’s black and white photography helped Truffaut enormously but what the director himself provides is a sense that though there is no easy answer to the problems of growing up, there is a hope that will never be wholly denied.

The 400 Blows (Les Quatre Cents Coups)
Cert: PG