- My Account
- Logout
- Register
- Login
Coming up Roses again
Related Articles
22 October 2004
Never has a singer's inability to sing mattered so little. Last night, Ian Brown's back catalogue, showmanship and sheer star quality were more than enough to thrill a packed and adoring Brixton Academy. Strange though it may sound, the spine-tingling effect the former Stone Roses frontman created was such that his difficulties in hitting the right notes seemed almost irrelevant.
Brown has had several creditable solo hits, and the number of people too young to remember the Stone Roses proved that he has earned a genuine fan base.
Nonetheless, it was the unprecedented decision to perform his old group's favourites that made this show a must for many. The idea of using a Stone Roses tribute act was an inspired one, and the backing band were clearly having the night of their lives as they did credit to their hero with Roses renditions that were eerily note-perfect.
Despite his 41 years, Brown could still carry off his distinctive hippy/chav/ soulboy look, sporting a leather tracksuit top, painfully cool sunglasses and an expertly-wielded tambourine. This made his passionate revisiting of classics such as Sally Cinnamon and She Bangs the Drums all the more spectacular.
There was an almost spiritual atmosphere among large sections of the audience. Some extended their arms reverently towards Brown, perhaps willing him to make this wonderful Nineties timewarp last forever.
Tuning wasn't a problem during the Stone Roses' anthems as the audience screamed out every word, sometimes drowning Brown out. But when, halfway through the show, he moved on to his own material, Brown's bum notes were cruelly exposed by backing music far more unobtrusive than the Stone Roses' scratchy wah-wah pedals.
Even excellent solo tracks such as Golden Gaze provoked a far more muted response. The most notable exceptions to the rule were Keep What Ya Got, his collaboration with Noel Gallagher for which the Oasis man joined him on stage to provide guitar and backing vocals. The epic, string-based track, F.E.A.R. was another of the few of his own works to which Brown did justice.
Things undoubtedly soured towards the end, but Brown was still showered with love as he left the stage. And why not? The Manchester scene in which he played a pivotal role never revolved around musical virtuosity.
Like Bez or Shaun Ryder, his importance stemmed not so much from what he could do, but from who he was. Many people can sing better than he does, but no one else can be Ian Brown.
Ian Brown
Comments
Top stories in Arts
Top stories in Arts
-
No end to Tube nightmare as commuters warned of MORE chaos tonight
-
London gang stabs football fan to death after Chelsea FC win Champions League - and father is knifed as he runs to help
-
Double dip recession is worse than feared as UK faces ‘hurricane’
-
They attacked "like a pack" raining fists on a defenceless legal secretary. Yesterday they walked free from court. No wonder their victim says she has been denied justice.
-
Friends of football fan killed after Champions League final tell of 'horror' scene of his death
The O2
Check out the cool stuff happening under our tent such as the hottest gigs, comedy, sport, films, clubs, bars, restaurants and much more.
Can you imagine a career in teaching?
Be inspired to teach - let real teachers show you how rewarding the job can be.
Playing a game-changing role during the Games
Cisco is providing the solutions for London 2012's complex IT needs.
Win a Silverstone track day with Zantac 75
Feel the burn of a different kind - 20 Silverstone motoring experiences to be won
Reader Offers email A fantastic selection of
offers, giveaways and
promotions.
Cannes Film Festival - in pictures
Biggest ever image of the Queen, and she also appears made out of stamps, cheese and BEER
Man v Woman v Food: the big burger challenge
New kids from the Bloc: new wave of Russians settling in London
London drug dealer pictured himself with bags of cannabis and wearing crown of £20 notes
BarChick: Janet's Bar