Tim Whitehead looks at bigger picture - Music - Arts - Evening Standard
       

Tim Whitehead looks at bigger picture

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Experience goes a long way in jazz. In his young days with Nucleus and Loose Tubes, Tim Whitehead was an exciteable soloist who bounced up and down like a hyperactive kid on a pogo stick. Today, though still capable of the involuntary dance-step, the Liverpool-born tenorman is a mature player whose ideas have a pleasing architecture. His tone, too, is fuller, warmer and carries more emotive power.

On Saturday he returned to the club where he recorded Too Young to Go Steady, his best quartet album for years. The title track, like the only other standard chosen, The More I See You, was recast in a relaxed, steady two-beat lope that accentuated the soulful potential of these old chart hits.

Solidly backed by bassist Mark Hodgson and that nimbly original drummer Milo Fell, Whitehead and pianist Liam Noble found a higher gear on brisker originals (Happy Birthday to Me, Colour Fast, Race Against Time) but again with a halved timefeel that was more accessible than the knife-edged thrills of fast four-four.

Bassist Steve Swallow's closer, Ladies in Mercedes, had a recurring phrase and rising chord sequence reminiscent of Michel Legrand but the leader contributed the evening's most powerful and simple melody - Claire and Christina, a waltz for his daughter. Both as player and composer, Whitehead is looking at the bigger picture.

Tim Whitehead Quartet
Pizza Express Jazz Club
10 Dean Street, Soho, London, W1D 3RW

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