Upbeat Festival opening - Music - Arts - Evening Standard
       

Upbeat Festival opening

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Stuck for present ideas? Follow Richard Wagner's example. He wrote his Siegfried Idyll for his wife, Cosima. Not content with merely giving her the score, he secretly arranged for it to be played on the stairs as a surprise wake-up call on Christmas morning. Well, it's better than a book token.

Short, to the point and written for small orchestra, the Idyll is everything that Wagner's operas aren't.

Yet as demonstrated in this performance by 12 players from the Aurora Orchestra under Nicholas Collon, it has genuine narrative drive and an enchanting transparency. Brief solos for flute, then clarinet, then horn had poise, while the strings played with warmth but without applying any sentimental overlay.

Opening Spitalfields Winter Festival, it made an upbeat, secular counterweight to Schubert's darkly ambivalent Mass No 6, written in the last year of his life.

Here the orchestra tripled in size and was joined by the Choir of Gonville and Caius College, Cambridge, with Geoffrey Webber as conductor.

Despite the augmented forces, the orchestral textures remained bold and clear, except in the fugues, which were somewhat muddy, but not damagingly so. The choir, on the other hand, was precision itself, while the occasional solos added quasi-operatic drama.

With youth on their side, players and singers alike caught the tempestuous mood swings, from fear to rustic good humour to serene acceptance.

Spitalfields Festival: Choir Of Gonville And Caius College, Cambridge, Aurora Orchestra/Collon
Shoreditch St Leonard's Church
Shoreditch High Street, E1 6JN

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