Violent art of seduction - Music - Arts - Evening Standard
       

Violent art of seduction

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"So seductive ..." went the chant on the opening bars of Candy Shop, a track whose harmless confectionery-based words contained a none-too-hidden meaning as 50 Cent generously offered his female fans the chance to "lick the lollipop".

Ridiculously crude though his lyrics may sound in the cold light of day, the New York rap star's performance last night was a reminder of just how seductive he can be. No matter how blood-thirsty or misogynistic his lyrics might have been, 50 Cent wrapped his music up in an irresistibly appealing package.

Gallery: 50 Cent concert in pictures

Appearing before his fans to the thundering strains of What Up Gangsta, 50 Cent's stage presence was powerful and immediate. With DJ Whoo Kid providing a steady stream of gun sound effects, accompanied by bright flashes of light, his opening track was a statement of intent, embodying the relentlessly negative tough-guy vibe that characterises so much of his work, with lines such as: "Cross my path I'll crush ya, thinking I won't touch ya/I'll have your ass using a wheelchair, cane, or crutches." A threat to inflict permanent disability on an unidentified foe doesn't sound like promising material for a euphoric singalong, but combined with 50's delivery and charisma, the track had the crowd eating out of his hand.

A consummate professional constantly making sure he had the crowd on side, 50 Cent had clearly planned his show out carefully, interspersing the shoot-'em-up tracks with "something for the ladies".

The genuinely romantic track, 21 Questions, saw the rapper delight the female contingent by removing his top. Given his larger-than-life, cartoon-like persona, it was strangely appropriate that Mr Cent should have what looked like the body of a superhero. Sporting a perfect six-pack and biceps bigger than the average human head, his every move exuded strength, confidence and vigour.

After working his way through most of his most famous work, including a superbly frenzy-inducing version of his first international hit, In Da Club, 50 made the cunning decision to create a medley of his lesser-known songs, each one punctuated - as if you couldn't guess - by gunshot noises.

Towards the end, as I witnessed groups of women happily supporting 50 in the refrain "Bitch, get in my car", I realised that while 50 Cent's moral compass may be faulty, his seduction skills remain firmly intact.

50 Cent
HMV Apollo
Queen Caroline Street, W6 9QH

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