An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,




Dir: Sean Foley.
Cast: Joan Rivers, Emily Kosloski, Carrie Paff, Mark Philips, Melissa Rivers (on camera), Dorie Barton (on camera), Leo Marks (on camera)
Description: An autobiographical play by Joan Rivers. In her Oscars ceremony backstage dressing-room, Rivers prepares for her annual catwalk commentary, but things are not running smoothly.
Trains: Tube: Leicester Square, Embankment
Phone: 0844847 2475
Website: www.leicestersquaretheatre.com
Quip and tuck: 75-year-old Joan Rivers tells her story of survival in a youth-obsessed industry with venomous gags and moving personal anecdotes
Whether swearing on daytime television or revealing her latest nip and tuck, Joan Rivers is regularly the centre of attention. And in her latest appearance the 75-year-old icon is most definitely in the limelight, grabbing all the best lines. But then she did cowrite this bizarre yet compelling hybrid of autobiography, play and stand-up.
Anyone hoping for conventional theatre last night soon had their expectations trampled. Rivers immediately addressed the audience directly and throughout proceedings slipped into filthy stand-up mode, sticking the Manolo Blahniks into the likes of Russell Crowe, Sophia Loren and Victoria "does this tampon make me look fat?" Beckham. Some gags were nearly as old as Rivers, yet she spat them out with such venom they still merited a laugh.
The setting is the dressing room on Oscars night. Rivers is preparing for her annual red carpet commentary with her assistant and make-up artist while telling her life story, from playing Barbra Streisand's lesbian lover to directing her only movie to finally making it big. However, something is afoot. You can tell how much the network likes you by the cheese plate. Favoured employees get brie. Tonight, to her horror, she has Dairylea slices.
There are shocks for the audience too, during moments of high drama. Loyal fans should already know about her husband Edgar's suicide and the incident when her mentor Johnny Carson dropped her like a stone, but the way she slowly, movingly delivers these anecdotes is literally showstopping. Giggles turned to jaw-drop silence as she recalled these extraordinary events.
Above all this story is about surviving in an industry where youth is the ultimate commodity. As she talks of nobody going to Mae West's funeral because she "outlived her fame" it is clear that Rivers is determined to avoid the same fate. Every time she has been knocked down she has fought back and she is not about to give up now. If the energy dips slightly towards the end, that is understandable given the star's age. And if her face is not the most mobile we know why that is. Yet somehow, reasonably reined in by director Sean Foley, this works. Maybe because it is all true. According to Rivers she does not dare lie in case her old nose grows back.
Until 18 September, then 2 December to 29 January (www.ticketweb.co.uk, 0844 8472 475)
Details are correct at the time of publication - please check with venue before booking.