An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,
Derek Malcolm's rating
Reader rating
Dir: Olivier Assayas.
Cast: Juliette Binoche, Charles Berling, Jeremie Renier, Edith Scob
Description: Meditation on grief, revolving around the matriarch of a middle-class family, whose ailing health provides the catalyst for a reunion, bringing together her three children - Frederic, Adrienne and Jeremie - to ponder the future. While Adrienne and Jeremie live and work abroad and therefore have little interest in maman's house and its collection of priceless objet d'art, Frederic hopes to keep the property and its contents safely under his control. Unfortunately, death duties and his siblings' indifference threaten to leave poor Frederic with an inheritance of nothing but fading memories.
Country: FR. 2008. 102mins
A family gather round their elderly mother (Edith Scob) in her country house. She is the heiress to her uncle's art collection, which includes paintings by Degas and Corot and other exceptional 19th-century art. When she dies, Frederic (Charles Berling) is reluctantly put in charge of selling both the property and the art. Adrienne (Juliette Binoche) and Jeremie (Jeremie renier), her other children, readily agree.
Olivier Assayas's film, beautifully played, is an atmospheric and sensitive treatise on loss, heritage and memory. Are the family right to give up both the house and its treasures to raise money? Or should they honour their mother by keeping her treasures and settling their obvious differences? Assayas makes this an almost Chekhovian study, and one that reminds us gently and persuasively of the films of the great renoir.
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Morning:
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