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Film

London,

O'Horten

Cert: 12A

Description: Train driver Horten is 67-years-old and poised to retire from his job as a train driver, which has provided him with a comfortable ritual for the past 40 years. During those four decades, he has driven the same line, kept to himself and shuffled through life with the minimum of fuss but now that he has more time on his hands, Horten is about to embark on a journey of self-discovery. He crosses paths with a colourful array of oddballs including a man who claims he can drive blindfolded, is forced to wear a pair of red heels and acquires a four-legged friend. Somehow, without meaning to, Horten stumbles upon a richer and more meaningful life when he least expects it.



Rating: 4 out of 5 Derek Malcolm's rating
Rating: 5 out of 5

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Dir: Bent Hamer.

Cast: Baard Owe, Espen Skjonberg, Ghita Norby, Henny Moan

Country: Nor.

Year: 2008.

Duration: 89mins

Showing at

Life goes from odd to strange in O'Horten

O'Horten
End of the line: engine driver Odd Horten is toasted by his colleagues on his retirement

By Derek Malcolm
7 May 2009


Sometimes the simplest films are the best. Bent Hamer, the Norwegian director, is very good at making the mundane seem important and the real seem almost surreal. His chief character here is Odd Horten (Bård Owe), a veteran engine driver of 40 years or so who has to retire but views the prospect as less than enticing. His colleagues give him an awkward presentation, which palpably embarrasses him, and off he goes into the night.

What on earth is he going to do with the remainder of his life? Will he have to sell his beloved boat? And will the nice elderly woman who sometimes cooks his meals continue to do so? It’s all a bit much for a working man with no apparent family to take with equanimity — though he preserves a stoic face to the world.

But strange things keep on happening to him. One night, he goes to the aid of a drunken old codger called Trygve (Espen Skjønberg), who has fallen in the street. Apparently he’s a well-off retired diplomat. He takes Odd to his luxury flat and later persuades him to go for a night-time drive — the diplomat insists he can drive quite safely blindfolded.

When Trygve suddenly has a fatal heart attack, there’s the question of Molly, his dog. Odd has to do the decent thing for her since she seems to be following him.

Hamer orchestrates all this with patient, near-minimalist skill, combining pawky comedy and plenty of heart. The result is a quirky story that remains in the mind, like the director’s previous Eggs and Kitchen Stories did.

He has created a memorable character in O’Horten, assisted by Owe’s refusal to overplay beyond the occasional twitch of his moustache. This won the “Silver Lump” as the Best Norwegian
Film of its year. But lumpish it certainly isn’t.

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