New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Derek Malcolm's rating
Reader rating
Dir: Zach Helm.
Cast: Zach Mills, Dustin Hoffman, Natalie Portman, Jason Bateman
Description: Wacky and wildly eccentric Edward Magorium is 243-years-old and has run a magical toyshop for what seems like forever. However, the time has come for Edward to hand over the reins to a new owner and his one and only employee, Molly Mahoney, is the perfect candidate. Unfortunately, she is crippled with self-doubt and fears that she will not be up to the task. When accountant Henry Weston arrives one day to sift through the store's books, which are apparently two years out of date, Molly must discover the courage to protect the business from the bulldozers.
Country: US. 2007. 94mins
Edward Magorium, the owner of the toy store (Dustin Hoffman) is well over 200 years old, the manager (Natalie Portman) is concentrating on writing a piano concerto while the toys fling themselves about like dervishes in pursuit of pure magic. That's the scene-setting for Zack Helm's directing debut, which is always pleasant to look at but a bit of a mess otherwise.
The drama comes when Magorium, who has never filed for his taxes, looks like being forced to sell. He thinks it's finally time to leave this earth anyway. Jason Bateman's lawyer is brought in to sort things out and, not believing in magic, finds the emporium a surprising place. It's his job to save it.
Dramatically, the film frequently stalls but Hoffman produces the kind of shrewdly whimsical performance he can do standing on his head and Portman attempts a wide-eyed innocence with some skill.
Thank goodness, however, that we never get to hear more than a few bars of her concerto. But the toys are the thing, and the movie definitely has its heart in the right place.
Details are correct at the time of publication - please check with venue before booking.
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