An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,




Dir: Roy Andersson.
Cast: Jessica Lundberg, Elisabet Helander, Bjorn Englund
Description: Comical portrait of city life, stitching together unconnected stories of love, longing and desire in a community heading for disaster. A man dreams about pulling out the tablecloth from beneath a full dinner service without moving any of the crockery, and a lonely husband annoys his wife by playing his drums loudly in their tiny apartment. A primary school teacher suffers an emotional breakdown in front of her inquisitive pupils and an Arab hairdresser gives one racist customer a close shave he will never forget, especially with an important board meeting to prepare for.
Country: SWE/GER/DEN/FR/NOR. 2007. 93mins
One man and his dog: A dog gets dragged across the screen by an old man
Swedish director Roy Andersson’s follow-up to his wry Cannes prize-winner, Songs From the Second Floor, is another mordantly entertaining comment on the meaning of life — as near to Monty Python as a depressive Nordic bard can get.
It presents us with a succession of glum characters living out their lives in a dingy urban landscape.
A dog on a lead gets dragged haplessly across the screen by an old man. A psychiatrist worries about his finances while being straddled in bed by his Viking-helmeted wife.
An Arab barber revenges himself on a racist customer by cutting off all his hair. However embarrassing any situation appears, the onlookers simply ignore it.
If the director is a miserabilist who makes Bergman look like a regular happy chappie, at least his observation of us all is almost as good as that master’s.
Details are correct at the time of publication - please check with venue before booking.