New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Derek Malcolm's rating
Reader rating
Dir: Jieho Lee.
Cast: Kevin Bacon, Julie Delpy, Brendan Fraser, Andy Garcia, Sarah Michelle Gellar, Forest Whitaker
Description: A stockbroker called Happiness, who has grown tired of his job, seeks a little excitement by gambling but he soon finds himself massively in debt to scheming money lender Fingers and facing the loss of more than cash. A singer called Sorrow cannot escape her contract with Fingers but hopes her salvation might be the clairvoyant Pleasure. However, he is preoccupied with taking care of Fingers' disagreeable nephew Tony, a chip off the rotten block. Elsewhere, Love is tormented by his desire for his best friend's wire Gina, whose life will soon hang in the balance.
Country: US. 2007. 95mins
Controlled: Sarah Michelle Gellar plays the part of a rising singer
Jieho Lee’s debut thriller is based on an Asian proverb which breaks down life into happiness, sorrow, pleasure and love. The film has four sections, each focusing on a character representing one of these emotions. They all come together in the end — just not in a very convincing way.
Forest Whitaker, a minor cog in the banking machine, loses his savings and more on a horse and gets beaten up by Andy Garcia’s crime boss as a consequence. Meanwhile, the boss’s enforcer (Brendan Fraser) falls in love with a rising singer whom the boss controls (Sarah Michelle Gellar).
Then there’s the doctor (Kevin Bacon), who’s in love with his best friend’s wife (Julie Delpy), searching hysterically for the antidote when she’s bitten by a snake.
Lee’s view of his characters is as eccentric as the proverb; his filmmaking varies between hard-bitten realism and flashy melodrama. The whole is watchable but sometimes ridiculous. His actors do their best in difficult circumstances — but perhaps they felt anything was better than an ordinary Hollywood thriller without any originality at all.
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