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Film

London,

Blindsight

Cert: PG

Description: In May 1998, Sabriye Tenberken and Paul Kronenberg established the Rehabilitation And Training Centre For The Blind in Tibet, the country's one and only school for the blind children to prepare youngsters for the hardships of a life in perpetual darkness. This documentary travels to the remote mountain region to meet Tenberken as she joins forces with world-renowned, blind mountaineer Erik Weihenmayer to achieve the seemingly impossible: to climb the 7,000 metre Lhakpa Ri peak near Mount Everest's north face with a group of her students.



Rating: 4 out of 5 Derek Malcolm's rating
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Dir: Lucy Walker.

Country: UK/US.

Year: 2006.

Duration: 107mins

Showing at

Miraculous ascent in Blindsight

Blindsight
Climbing high: two of the blind Tibetans

By Derek Malcolm
7 Aug 2008


This inspirational documentary from American Lucy Walker is about a posse of blind Tibetan children who go on a climbing expedition up the north face of Mount Everest. They are led by Erik Weihenmayer, a blind mountaineer who successfully climbed the mountain, and Sabriye Tenberkin, an educator who is also blind. There were, however, sighted guides and the children were carefully monitored throughout.

The crux of Blindsight is not whether they succeed in reaching the top but what the children, some of them pre-teen girls, had to face in the hostile world down below.

Believed to be possessed by demons, punishing them for former sinful lives, the children have been rejected by both their families and society. One of the eldest was farmed out by his parents to a Chinese family as a beggar before running away and becoming a street urchin.

Walker shows, without too much dramatic emphasis, how the children react to both the perils of the mountain and those trying to save and educate them, growing in confidence as they prove able to make an ascent in conditions which would make most of us quail.

You wouldn’t believe it as fiction but it really is fairly unadorned fact. It is easy to see awards beckoning, and deservedly so because Walker as a film-maker never puts herself in front of her extraordinary subjects.

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