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A Christmas Tale (Un Conte De Noel: Roubaix!)

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Cert: 15

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Dir: Arnaud Desplechin. Cast: Catherine Deneuve, Mathieu Amalric, Anne Consigny, Melvil Poupaud, Jean-Paul Roussilon, Anne Consigny, Hippolyte Girardot, Chiara Mastroianni

 

Description: A feisty matriarch, dying of liver cancer and facing the prospect of a potentially deadly bone marrow transplant, contemplates her chequered life in the company of family and friends in this moving drama about a dysfunctional family coming apart at the seams. Many years after losing their eldest son to leukaemia, Junon and her husband Abel face the spectre of terminal illness once again. Their three children and eldest grandson are tested for bone marrow compatibility, all arriving at the family home to hear the results. The siblings Elizabeth, Henri and Ivan bicker as usual under the same roof as skeletons come rattling out of the closet.

Country: FR. 2008. 153mins
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All is not well in A Christmas Tale

By Derek Malcolm, None  15.01.09
 
A Christmas Tale

Grave presence: Catherine Deneuve as Junon, the dying matriarch of the Vuillard clan

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Arnaud Desplechin knows about families and has assembled a great cast for this sprawling story of the Vuillard clan in Roubaix, northern France. The brood assemble for Christmas and proceed to tear each other apart — sometimes gently, often violently.

Catherine Deneuve and Jean-Paul Roussillon play Junon and Abel, the unfortunate hosts. She has degenerative cancer which can only be cured by a bone marrow transplant — if an appropriate donor from the family can be persuaded to undertake one. There’s their elder daughter (Anne Consigny), who quarrels with her black-sheep brother (Mathieu Amalric). Then there’s the younger son (Melvil Poupaud), whose wife (Chiara Mastroianni) sleeps with her husband’s cousin (Laurent Capelluto) in a fit of pique. And there’s a lot more besides.

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Sometimes it is difficult to make out who means what to whom as the extended family celebrate Yuletide with some good cheer added to the quarrelsome mix. This could be called a tragic comedy, and Desplechin orchestrates it all with the skill of a minor master armed with an excellent script.

The result is consistently watchable, with Deneuve a grave but brave presence at its centre and her elderly husband a rock of comfort beside her. Half a million customers saw it in France and apparently found it truthful. So did I.

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