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Film

London,

Two Lovers

Cert: 15

Description: Emotionally troubled Leonard is determined to earn the love and respect of his Orthodox Jewish parents, who hope he will marry within the faith, preferably Sandra, whose father is a prime candidate to buy the family dry-cleaning business. Leonard dutifully pursues the romance but finds his affections torn between Sandra and fun-loving, free spirit Michelle, who lives across the stairwell and is a regular fixtire on New York's party scene. Unfortunately, Michelle already has a boyfriend - a married man - and she is hopeful that he will leave his wife to be with her. As Leonard's infatuation with Michelle intensifies, his emotional state becomes increasingly unstable, and he contemplates sacrificing everything he holds dear to demonstrate his love.



Rating: 3 out of 5 Derek Malcolm's rating
Rating: 4 out of 5

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Dir: James Gray.

Cast: Joaquin Phoenix, Gwyneth Paltrow, Vinessa Shaw, Isabella Rossellini, Moni Moshonov

Country: US.

Year: 2008.

Duration: 110mins

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Don't give up the day job, Joaquin Phoenix

Two Lovers
Trouble in mind: Phoenix’s performance as a bipolar man is magnificently detailed

By Derek Malcolm
26 Mar 2009


If Joaquin Phoenix really has decided to give up acting, as he claims, American cinema will have lost one of its strongest, most imaginative male leads.

In James Gray’s family drama he plays Leonard, who is bipolar, with a history of acute depression. He is pushed by his anxious Jewish family (Moni Moshonov and Isabella Rossellini are his parents) to take over their dry-cleaning business and marry the girl whose father holds all the financial aces.

The girl (Vinessa Shaw) fancies Leonard rotten and would make him a fine wife. But he falls instead for the emotionally unstable girl next door (Gwyneth Paltrow), who is embroiled in her own hopeless affair with a married man (Elias Koteas) who has no intention of leaving his wife.

Most of Gray’s darkly imagined thrillers have a fractured family at their base so this isn’t entirely new territory. Once again, with the aid of a good cast, he chronicles the middle-class life of New York’s outer boroughs with considerable skill.

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But it is Phoenix’s depiction of an unstable man split between familial obligations and a desperate need to get out that makes the film. The detail in his performance as he struggles to make sense of his life is magnificent. It’s one of Gray’s quieter, less melodramatic films, but it’s among the best.

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