The former Erica Wright need look no further than the mirror should she wonder why her appeal is becoming more selective.
Read full review...Pixie Lott is surely in this for the long haul. This pop princess may yet become the queen of all she surveys
Lovebox may not be quite as flamboyantly dance-orientated as it once was, but since it moved from the clubs to outdoors it’s pedalled its way through the festival peloton to become a London institution
Live performance has never been Snoop Dogg’s strongest suit but he certainly looked the part.
Ozzy Osbourne returned for an exhilarating finale featuring his own better material.
For the first half of the encore, Jack Johnson achieved the seemingly impossible and turned things down a notch by playing alone and acoustic.
Jack White is the 21st-century master of both quantity and quality. Maybe it's time for The Dead Weather to become the day job rather than the hobby.
On a day of acute English embarrassment, who better than Paul McCartney, the national songsmith, to remind us that the English do some things well?
So, farewell then, Supergrass. After 17 years and six albums, they played their final British show
Whatever horrors and delights the summer of 2010 will be remembered for, its sound will always be the pop-metal of Bon Jovi.
With widescreen Icelandic mischief-makers Sigur Rós taking what could prove to be a permanent vacation, their singer Jón “Jónsi” is going solo.
In a glitzy world of Gagas, Beyoncés, Madonnas, Rihannas and Mariahs, Alicia Keys keeps her clothes on and stands out by virtue of what she doesn’t do.
The Chemical Brothers' audience remains fiercely loyal and their four-night Roundhouse residency which began sold out in minutes.
Jamie Cullum, part national treasure, part the national jazz hobbit, wound the clock back at The Palladium.
It may have been cold, but as rollercoaster rides go, there are few more exhilarating than Rihanna's at the 02.
Gogol Bordello seem tired as their world changes and things seem to be going slightly wrong.
The National have taken five years and five albums to make the leap from selling out the 100 Club to selling out the Royal Albert Hall.
At 63, Iggy Pop remains a flab-free, whirling dervish of a frontman and stage-dived with an enthusiasm his grandchildren might have envied
Those who decided that Whitney Houston was capable of undertaking a world tour should hang their heads in shame.
Thirty-five years on, Lou Reed’s Metal Machine Music resonates like no other album.
O2 Academy Brixton
SW9
Aug 19, 7pm
KOKO
NW1
Aug 8, 7pm
Union Chapel
N1
Aug 12, 7pm
O2 Academy Islington
N1
Jul 31, 6.30pm
The Underworld
NW1
Aug 14, 7pm