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Critics' Choice

Restaurants

Fay Maschler

quoteWith a single dessert and just two glasses of wine our bill was kept in check - but the effort of doing so was not much funquote

Fay Maschler Babbo Film

Andrew O'Hagan

quoteThis is a film with beautiful performances and a visual style that urges you towards reflectionquote

Andrew O'Hagan Bright Star Theatre

Henry Hitchings

quoteAlthough the first half of Kwei-Armah’s production is pacy, funny and intelligent, the energy level then drops offquote

Henry Hitchings Seize The Day

Reader reviews

Film

Squiz, Islington

quoteI loved this film from start to finish. Take the girlfriend, tell your mum - I'd see it again tomorrow and will buy the dvd.quote

An Education Theatre

Joe, London

quoteI saw this last night and can't remember the last time I was so moved in the theatre.quote

This Much Is True Restaurants

Hiroshi Sugiyama

quoteI have been to many of London's so-called best Japanese restaurants and none have been as good as the food that I've had at Aqua Kyotoquote

Aqua Kyoto

CDs of the week

Evening Standard   01.08.08

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            Natty

Happy days: Natty's Man Like li


            Conor Oberst

Going solo: Conor Oberst


            ABC

Still making music: ABC's Traffic


            Enrico Rava

Outstanding: Enrico Rava's Italian Ballads


            Cafe de los Maestros

Mixed bag: Cafe de los Maestros

Look here too

POP


NATTY
Man Like li (Atlantic)
***

This 24-year-old Londoner is musically wise beyond his years, having worked as a studio engineer for years before releasing his debut. This experience is reflected in a clean sound that has reggae at its roots but branches out beyond its confines. The first single from the album, Cold Town, is quintessential Natty — an ebullient rhythm and pretty melody undercut by dark lyrics about a serial killer. But mostly, Natty's music is a cheerful affair, more likely to inspire a dance step than savage introspection.
PETE CLARK

CONOR OBERST
Conor Oberst (Wichita)
****

Despite his many aliases (Bright eyes being the best known), prolific Nebraska songwriter Conor Oberst has always effectively been a solo artist. even so, this is his first album under his own name after 12 years of releases. A regular recipient of the “new Dylan” tag, here he wholeheartedly embraces Bob's late sixties country-rocking sound. Overall, it's more focused than usual — fans may prefer Oberst when he sounds less clean. Nevertheless, some memorable moments are here.
DAVID SMYTH

ABC
Traffic (Borough)
***

Now denizens of the nostalgia circuit, ABC have spent the past 26 years attempting to emulate their masterpiece, Lexicon of Love. Traffic won't change anything, but it's their most rewarding collection since 1987's Alphabet City. Martin Fry's voice remains strong and The Very First Time and Ride suggest he can still pen a slinky song or two. But by the time we're grappling with the ghastly backing vocals which swamp the anodyne Caroline, we're cast adrift in a sea of stodge.
JOHN AIZLEWOOD

JAZZ


ENRICO RAVA
Italian Ballads (Egea)
*****

On first listen, Miles Davis came strongly to mind — the lucid, mellow Miles of porgy and Bess vintage. But no, it's italian trumpeter enrico Rava, in his best form for years. strong yet lyrical, his ideas flow with a rare sureness, conveying both melancholy and joy. The “electric five” behind him are actually six — two guitarists, double-bass, hand-drummer UT Gandhi, vocalist Barbara Casini and accordionist Richard Galliano — fine players, and sympathetic to the mood of an outstanding session.
JACK MASSARIK

WORLD


VARIOUS ARTISTS
Cafe de los Maestros (Wrasse)
****

It's hard not to call this splendid double CD the Buenos Aires social Club. Oscar-winning Argentinean composer and arranger Gustavo santaolalla reunites veteran tango singers and musicians of the Forties and Fifties in a wonderful new recording of classic tangos from the golden age. As well as assembling major artists, santaolalla's other success is in creating a variety of ensembles from tango big band to small chamber groups which make it very listenable.
SIMON BROUGHTON


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