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Critics' Choice

Film

Andrew O'Hagan

quoteNew Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of itquote

Andrew O'Hagan The Twilight Saga: New Moon Theatre

Henry Hitchings

quoteA smart, prickly and rewarding view of sexual and emotional confusionquote

Henry Hitchings Cock Restaurants

David Sexton

quoteKitchen W8 is a bargain for this area, if such sophistication is what you crave quote

David Sexton Kitchen W8

Reader reviews

Film

Adam, Harrow

quoteToo long and drawn out but very entertaining with excellent special effectsquote

2012 Theatre

Rob, London

quoteThis is a peculiar play and does not work for me. Some of it is very funny but there are real flawsquote

The Habit Of Art Music

Bernard, London

quoteAlex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factorquote

Alexandra Burke

CDs of the week

19.09.08

 Add your view

 

            Katy Perry

Worthless: Katy Perry's One of the Boys


            Kings of Leon

Big rock record: Kings of Leon's Only by the Night


            Mogwai

Lovely: Mogwai's The Hawk is Howling


            Asaf Sirkis

Talent: Asaf Sikris' The Monk


            Victor Deme

Great find: Victor Deme

Look here too

POP


Kings of Leon
Only By the Night (RCA)
****

It's hard to explain why certain US bands end up being huge here and nobodies back home, but Tennessee quartet Kings of Leon don't seem to mind. The fourth album from this year's Glastonbury headliners has U2 in its sights — it sounds like it was recorded in one of the stadiums in which these songs are intended to be performed. The Coldplay-style chorus of Use Somebody stands out, though the added polish has the inadvisable side-effect of making Caleb Followill's prosaic lyrics more audible. Nevertheless, it's a big, rock record. If the Americans don't fall in love this time, they never will.
David Smyth

Katy Perry
One of the Boys (Capitol)
*

In 2001, Katy Hudson released a self-titled, unashamedly Christian debut album. Seven years later, she's evolved into the unashamedly secular Katy Perry, who sings of kissing girls, but only to bait a boyfriend. The career change may have brought her the attention she so desperately craves, but for all the songwriters bussed in to burnish her basic skills, the clinically constructed One of the Boys is feeble fare. There's faux girl power, unspeakable ballads, childish homophobia on Ur So Gay, cod rebellion on Waking Up in Vegas, but nothing to suggest an iota of worth.
John Aizlewood

Mogwai
The Hawk Is Howling (Wall of Sound)
***

Six albums in, fans of these Glasgow post-rockers will know just what to expect: slowly shifting instrumental guitarscapes, a mix of contemplative beauty (Kings Meadow), head-rattling volume (The Precipice) and song titles that prove all is not as gloomy as it may seem (Batcat, I Love You; I'm Going to Blow Up Your School). The chiming loveliness of The Sun Smells Too Loud stands out as the track you could safely play to the person who doesn't normally like this kind of thing.
David Smyth

JAZZ


Asaf Sirkis
The Monk (Sam Productions)
***

This combination of London talent is a direct result of the musicians' grapevine. Asaf Sirkis, talented composer and left-handed drummer, is an admirer of Gary Husband, a reclusive piano genius whose brilliant work too seldom reaches the record racks. A reminder of his dashing postmodern style, as recently heard on tour with John McLaughlin, adds at least one star to Asaf's power-trio with bassist Yaron Stavi and Greek guitarist Tassos Spiliotopoulos. Their gothic rock touches aren't up my street, but the overall jazz feel most definitely is.
Jack Massarik

WORLD


Victor Démé
Chapa Blues Records
****

It's a joy to discover a new artist making a debut album of such unpretentious quality. But Victor Démé, from Burkina Faso, is no new kid on the block — he's in his mid-forties. His voice is warm and his splendidly lyrical songs are supported by his excellent guitar playing. The music isn't particularly innovative but it's very beautiful and a reminder of Africa's unknown musical talent.
Simon Broughton


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