New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,




Description: The former Suede frontman previews songs from his new album, Wilderness, with augmentation from a cellist and singer Emmanuelle Seigner.
Phone: 0208222 6955
Website: www.bushhallmusic.co.uk
Email: notes@bushhallmusic.co.uk
Trains: Tube: Shepherd's Bush
Extra info: Party Hire, Pub
Anderson's unusual voice and lyrics are a little too awkward for huge mainstream success
"Bush Hall, who'd have thought it, eh?" said a mildly rueful Brett Anderson about the tiny venue that was staging his comeback.
This was, after all, the man who helped kick-start Britpop with Suede's brilliant, brash debut - although it was Oasis, Blur and Pulp who ended up dominating the celebratory mood music of the mid-Nineties.
That's best explained by Anderson's unusual voice and lyrics, which were a little too awkward for huge mainstream success.
Now the more personal songs on his forthcoming solo album will probably be equally divisive. Certainly, the former Suede frontman singing about being lonely in Notting Hill won't do it for everyone.
The few hundred fans at Bush Hall embraced his new-found musical maturity, though, loudly applauding the opening song To The Winter on which his indie croon sounded stronger than ever.
New single Love Is Dead is one of the best things he's done in years, and on stage it was bolstered with spiky riffs from a shaggy-haired guitarist.
He didn't look very Suede-like, but had some of the dramatic playing style of Anderson's erstwhile song-writing partner, Bernard Butler.
There were also some darkly romantic ballads, although the new material didn't always deliver: Dust And Rain was a Suede throwback, prompting Anderson to lurch into an overfamiliar, energetic performance.
Still, his self-belief held the audience during the new songs, even when his musicians - including one former bandmate - were occasionally a bit plodding.
It was a generous set, too, with five Suede songs including an acoustic Wild Ones and a gnarly Film Star.
And the finale of Trash got the crowd pogoing around as if the ornate Bush Hall was an indie disco circa 1996.
By the end, Anderson was dripping with sweat and shouting madly, maturity discarded. "You love it!" he bawled - and they did.
Details are correct at the time of publication - please check with venue before booking.
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Wow, a surprisingly good night. New songs sound very promising, especially Song for My Father, and it was great to hear some old classics too. Love may be Dead but the spirit of Suede is alive and well.
- Johnny, Truro, UK
I was there and it was refreshingly good. His antics seemed too big for the little room to start with - this is a man who headlined festivals a few years ago - but it settled down into a corker.
I've seen the man many times since 1993 and this is one of the best. His voice was very warm and expressive, not fractured as it was in the latter years of Suede.
- Simon, London, UK