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The Evening Standard demands an end to the practice of burying children and babies in mass paupers’ graves
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It’s Day’s night, and no one is going to spoil her story
A Sentimental Journey
Film
This is a shocking, replenishing film, not to be missed
Green Zone
Restaurants
It is great that Bruno Loubet is back — and at prices that are eminently fair
Bistro Bruno Loubet
The action and direction are superb and the acting good, but the plot is so pathetic it defies belief
Wonderful - beautifully acted and gloriously funny, particularly Simon Russell Beale and Fiona Shaw
Probably the most important photography exhibition london has ever seen
London,
John Aizlewood's rating
Reader rating
Chaos: Hard-Fi's new album is an almighty leap forward
"We played here over two years ago," remembered Hard-Fi singer Richard Archer. "It was chaos then. Now we've just got more stuff that can go wrong."
So they have. Last night's sweat-stained, eyeball-to-eyeball with a frankly fervid fan-club crowd, staged to road-test new material and re-ignite old, did indeed see "stuff" go wrong, from guitarist Ross Phillips's guitar lead being pulled out by an audience member who was named and shamed by Archer, to instruments slipping out of tune in the heat and a distinctly wobbly sound.
Much more went right. The hits from the melodica-led Cash Machine, to the M25 underclass anthem of Living For The Weekend, via the elegiac Stars Of CCTV, sped by in a joyous blur of handclapping, air-punching and audience bellowing.
More intriguing was the new material. The forthcoming Once Upon A Time In The West (that's as in west London) is an almighty leap forwards for sole-songwriter Archer and from it Television, Suburban Knights and I Shall Overcome were richer in tone, sharper in vision and sound of a band whose time is patently about to come. "You've been f***ing great," concluded Archer after another frenzied reception to another new song. The feeling was mutual.
Details are correct at the time of publication - please check with venue before booking.
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