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The Twilight Saga: New Moon
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A smart, prickly and rewarding view of sexual and emotional confusion
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London,




Dir: Keith Warner.
Cast: The Royal Opera, John Treleaven (Siegfried), John Tomlinson (Wotan), Peter Sidhom (Alberich), Antonio Pappano (cond)
Description: John Treleaven's Siegfried searches for his true identity as Keith Warner's production of Wagner's Ring Cycle continues. Conducted by Antonio Pappano and featuring John Tomlinson as Wotan and Peter Sidhom as Alberich. Sung in German with English surtitles.
Trains: Tube: Covent Garden
Phone: 0207304 4000
Website: www.roh.org.uk
Email: onlinebooking@roh.org.uk
Extra info: Food, Air Conditioning
With one opera left, Covent Garden's Ring has established itself as musically excellent and theatrically compelling. You may take issue with Keith Warner's business-laden production, or Stefanos Lazaridis's rarely poetic sets, yet the intelligence of their overview, in which the human dimension is paramount, shines through.
Siegfried is often said to be the opera that sorts out Wagner junkies from part-timers. Much of it consists of pairs of men shouting. First we see the revolting Mime, gorgeously characterised by Gerhard Siegel, bickering with the hero of the title. Downstage, a Heinkel has just crash-landed.
Grimm-inspired pantomime joins hands with sober German Expressionism. All is explained in Gary Kahn's book, The Power of the Ring, which accompanies this cycle.
Siegfried may be an oafish numbskull, but he has the most challenging role in the operatic repertoire. John Treleaven struggled when the production was new. Whatever vocal press-ups he's been doing in the interim, they're working and he wisely saved his best for his ecstatic love duet. Peter Sidhom's richly human Alberich was masterly. Phillip Ens (Fafner), Jane Henschel (Erda) and Ailish Tynan's air-borne Woodbird were first class.
Wagner conductors are made not born, and Antonio Pappano is growing into a fine one, lyrical and expressive rather than fat and beefy. John Tomlinson, in the epic Wotan-Wanderer role, first cool with fedora and pipe then pitiful as a raging Lear in fool's nightie, deserved his standing ovation.
Details are correct at the time of publication - please check with venue before booking.