El Maestro Paco de Lucia started slowly, calmly, without fuss. Just one man and his acoustic guitar under a spotlight, playing an affecting rondeña - a traditional flamenco solo - with all the soulfulness you'd expect of a flamenco guitar legend.

Gradually musicians and singers wandered on to add cajón box drum percussion, palmas handclaps and husky, imploring vocals, before wandering off again to let de Lucia improvise another solo.

Their contributions lent requisite drama to this most theatrical of genres, without resorting to frilly polka-dots and castanets. But it was de Lucia's impressive finger-work - particularly on the faster bulerías - that really drew the "Ole!s" from the crowd.

The Mallorca-based guitarist has long helped revive the art of flamenco by embracing its roots and fusing it with styles such as jazz - notably with pianist Chick Corea and fellow guitarist John McLaughlin. Last night's concert showcased his ease with pure flamenco and a unique ability to bring in elements that enhance it.

Joined in the second set by his hirsute band - two singers, percussion, second guitar, bass and flautist Domingo Patricio - de Lucia pushed for an emotive, multi-hued fusion and got it, notably when chasing Patricio's soaring notes. But El Maestro's virtuoso guitar remained the star of the show.