New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,




Description: African music from Baaba Maal, Zimbabwean artist Oliver Mtukudzi and benga four-piece Extra Golden.
Phone: 0845120 7500
Website: www.barbican.org.uk
Email: info@barbican.org.uk
Trains: Tube/BR: Moorgate/Barbican
Opening hours: Mon-Sat 9am-8pm, Sun 11am-8pm
Extra info: Pub, Food, Parking
Best of the bunch: Senegalese rapper Awadi, seen with his kora player, has all the raw dynamism of a star in the making
Now in its fourth year, the African Soul Rebels tour has become a brand name in world music circles, a sort of Motherland Revue with a sting. The current road show is the most radical yet, with a triple bill united only by their leftfield leanings and West African origins.
The best came first: Senegalese hip hop pioneer Awadi. A founding member of Positive Black Soul, one of the best rap outfits in a crowded Dakar scene, Awadi has spent a couple of decades mixing contemporary American soul with conscious lyrics and the traditional music of Senegal.
Backed by a seven-piece band featuring psychedelic keyboards and a virtuoso on the kora - surely the most priapic instrument to visit rap yet - he had all the raw dynamism of a star in the making.
Turning on a dime from ballad to hip hop, funk to soul, and with the obligatory Bob Marley refrain thrown in, he rapped in Wolof, French and English about African history and political corruption. "George Bush is a criminal! Give me another criminal!" he exhorted, shoving his mic in the front row, in a different take on traditional call-and-response.
He sings and dances gloriously, too. Salif Keita, the man most had come to see, was next.
After receiving a standing ovation for falling to his knees at his mic-stand (overcome, perhaps, by the fact that his hero, David "Pink Floyd" Gilmour, was present), the Malian Caruso delivered a low-key acoustic set at odds with his usual electric spectaculars.
Buoyed by a range of traditional instruments - ngoni, kalabash, congas - he picked at a guitar and let his reined-in voice soar prettily.
Headlining, curiously, was Tony Allen, the Nigerian drummer beloved of Damon Albarn and famed for his ability to play different time signatures with each limb simultaneously.
A former member of Fela Kuti's Africa 70, Allen has long been held as the co-creator of Afrobeat, that funky hybrid of jazz and Yoruba rhythms.
But perched behind his raised drum kit in bandanna and dark glasses, singing lacklustrely, Allen seemed distant and off-limits. Though in his own way, rather rebellious.
Details are correct at the time of publication - please check with venue before booking.
The show last night was amazing! The best concert of the year so far. The venue was sold out with a mixed crowd and very good atmosphere.
First up was Awadi who started the evening off with his energy and stage presence, engaging the crowd with his music and lyrics. The kora player was out of this world. Salif Keita was mesmerising. A true living legend along with Tony Allen.
African Soul Rebels is a must see show for any true music lover.
- Jp, London UK