An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,




Description: The orchestra presents a show music and visuals from the 1970s children's animation the Clangers.
Jumping off the screen: the score to Ridley Scott's classic film Blade Runner is reinterpreted by the Heritage Orchestra at the Meltdown festival
Harrison Ford in Blade Runner whose soundtrack provided the inspiration for the show
The film score to Ridley Scott's 1982 classic Blade Runner was always more than a fanfare for Harrison Ford's on-screen heroics. Eerie and ambient, Vangelis's soundtrack stood alone as a beautiful piece of work.
Rightly so, then, that the Royal Festival Hall was packed on the fourth night of the Meltdown festival to hear the Heritage Orchestra's rendering of the Greek composer's masterpiece, as mixed by curators Massive Attack.
Rumbling percussion and rising strings evoked the film's nightmarish vision of a dystopian future. Damon Albarn, who was among the spellbound audience, must have been smiling knowingly at this kingdom of doom.
He may even have tapped his foot, as drums and electric bass entered the mix. In its eerie groove, it was easy to see why Vangelis's score has been cited as the precursor to trip-hop - the downbeat electronic music made famous by Massive Attack in the early Nineties.
Attention flittered during the sparser moments of the evening, as one remembered that part of Blade Runner's appeal came from its script as well as its score. For the main part, though, the music was more than enough. The film' s most famous track, The Love Theme - to which Rick Deckard (Ford) and Rachael (Sean Young) put their genetic differences aside for a night of human/replicant love - was a smouldering soundscape of warm bass and wailing saxophone.
Few could describe Guy Garvey as smouldering but Elbow's burly frontman did croon beautifully over the jazzy skip of One More Kiss, Dear. If his band keep underachieving, a glittering career on the jazz circuit may yet beckon. He'd have to tuck in his shirt, mind.
More than shirts were flailing for Blade Runner (End Titles), as conductor Jules Buckley led his troops to a triumphant finale with a flurry of arm movements that wouldn't have been out of place at one of Massive Attack's live shows.
As the Heritage Orchestra bowed as one, the crowd applauded what they had seen: five-star, on-stage heroics.
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