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New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Nick Kimberley's rating
Reader rating
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Trains: Tube: High Street Kensington 
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Right balance: Belohlávek kept the orchestra perfectly weighted
The Proms have an anniversary obsession. Last night's offered the kind of programming that always makes sense but with the added significance (or not) of replicating a Prom that took place 50 years ago. No particular harm or virtue in that but it did suggest that audiences then had longer attention spans. A Mendelssohn overture and symphony, followed by a Brahms concerto, would usually be enough today. Here, we got an extra symphony, and no miniature either, but Brahms's Second.
With an extra interval (not required in 1958) it made a long evening but the BBC Symphony Orchestra under Belohlávek held the attention throughout. Mendelssohn's Ruy Blas Overture and his Italian Symphony had enough wit and drama to make you wonder why Mendelssohn wasn't a better opera composer, and while in the symphony six double-basses provided a heavy undertow, the work's essential high spirits emerged intact.
In Brahms's Second Piano Concerto, Lars Vogt was not the most muscular soloist, though the power was there when needed. Instead his delicacy impressed, producing a magical intimacy in exchanges with the horn, and especially with the cello.
Belohlávek kept orchestral balances perfectly weighted. If Brahms's Second Symphony was less sunny than in some performances, the tension and drive more than compensated. With music-making this vibrant, who needs anniversaries?
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