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An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,
Jack Massarik's rating
Reader rating
Description: The soul singer-songwriter performs tracks from her third album Secret Garden as well as tracks from her back catalogue.
Phone: 0207439 0747
Website: www.ronniescotts.co.uk
Email: ronniescotts@ronniescotts.co.uk
Trains: Tube: Leicester Square 
Extra info: Party Hire, Pub, Air Conditioning
Natalie Williams: one of London’s most dynamic exponents of Franklin-based funk
Ronnie Scott’s has seen full houses every night recently, a reflection no doubt of the US presidential election result. The jazz world saw this as a rare victory not only for unrepresented minorities but also for non-racist white Americans who have always danced to a different drum, recognising black music as the best in the world.
Voters who love Aretha Franklin, for instance. Without her gospel-driven voice there would be no soul-music charts, maybe not even a Stevie Wonder, let alone the over-excited wannabees on X-Factor every week.
Natalie Williams, a leggy soubrette with a dazzling smile and plenty of passionate Hungarian blood, is one of London’s most dynamic exponents of Franklin-based funk. Depping at short notice for US keyboarder Lonnie Liston Smith, she was in storming form last night, soaring through Never Loved a Man (Like I Love You) and other jazz, blues, gospel and soul highlights of Aretha’s 20-Grammy-winning career.
You Send Me was a bow to balladeer Sam Cooke, and a later blues, I’d Druther Drink Muddy Water, featuring Al Cherry’s strangulated yet stinging guitar style, invoked Aretha’s early influence, Dinah Washington.
More, a brisk waltz that switched to glorious four-four, found Natalie scatting more like Ella, prompted by James Pearson’s typically propulsive piano, and while nobody has ever made Burt Bacharach sound as funky as Aretha did on I Say a Little Prayer for You, Natalie gave it her best shot.
Partisans, an edgy jazz-rock quartet starring tenorist Julian Siegel and guitarist Phil Robson, was not the ideal choice to complete this double bill. Their taut, stop-start music was the antithesis of funk and hard to embrace, despite the ever-growing technical skill and empathy of the co-leaders.
Tonight: Pianist Bill Evans Remembered (020 7439 0747).
Details are correct at the time of publication - please check with venue before booking.
