New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,




Description: The powerful sax man pays homage to the legacy of his Afro-jazz pioneer father Fela Kuti.
The long musical arm of the Kuti family has a mighty reach. With four generations of musicians behind him, Femi Kuti could be said to be standing on the shoulders of giants, not least those of his father, the creator of Afrobeat, the legendary Fela Kuti, who died in 1997.
Femi didn’t marry 27 “wives” on stage as Fela once did but he did carry some of his spirit with his confrontational politics, stage presence and some fine funky beats to open the London Jazz Festival. Troubled from the outset by feedback, his set was songs dating from 1998 and from his new record Day by Day — but finished with a startlingly energetic number which, he said, ranged into the future: he’d record it in 2012, he declared.
Backed by his band, The Positive Force, clad in green smocks and comprising a five-piece brass phalanx, three scantily clad women dancers and a superhot rhythm section, Femi blew on his sax and played a Hammond organ with what sounded like his fists — he didn’t seem too concerned whether his keyboard harmony fitted the song. That, plus his rasped vocals that were wide of the note, made the music feel rough-hewn. The audience didn’t care, dancing in the aisles at the end of his two-hour set.
Details are correct at the time of publication - please check with venue before booking.