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An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,
André Paine's rating
Reader rating
Description: The Welsh rockers perform songs from their album Journal For Plague Lovers.
Phone: 0207344 0044
Website: www.kentishtownforum.com
Email: info@kentishtownforum.com
Trains: Tube/BR: Kentish Town 
, Tube / Bus: 134, 214, C2, N20 
Extra info: Pub
Taking it easy: bassist Nicky Wire
Manic Street Preachers are used to making risky artistic statements and continued that abstruse approach at the Roundhouse, performing new album Journal for Plague Lovers in sequence. There was also a huge backdrop of Jenny Saville’s stunning painting from the CD sleeve, which several supermarkets insisted on covering up because it appears to depict a boy smeared in blood.
Me and Stephen Hawking and Marlon JD were great tunes but the run of new songs that returned to their harsher sound from 1994’s The Holy Bible was at times heavy going.
The Manics had arguably earned the right to do it their way, though. Journal for Plague Lovers is undeniably powerful and features lyrics left behind by former guitarist Richey Edwards, who went missing in 1995 and was declared presumed dead six months ago.
However, there was nothing maudlin about this performance. Singer and guitarist James Dean Bradfield promised “some dancing” after the interval and fans did indeed throw themselves around to Motorcycle Emptiness, although not bassist Nicky Wire who apologised for his prolapsed disc.
They wheeled out some other early Nineties favourites but Bradfield’s muscular delivery — he looked like he might burst during Motown Junk — ensured this was no wearying nostalgia trip.
The trio were bolstered by extra musicians and a string section, who brought the necessary grandeur to Everything Must Go and the finale of A Design for Life.
A greatest hits set and a tribute to their lost member, this was a vital, emotionally charged comeback.
Details are correct at the time of publication - please check with venue before booking.
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Went to Thursday's opening night. Not a habitual Manics fan, but had appreciated their drive and intelligence. The raw power and emotion displayed were amazing. The new album is powerfully, emotionally charged. A great evening and a welcome return to form for a band that deserves respect for it's values, intelligent song writing and live performances.
- Jp, Liss, UK
