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Evening Standard column

Brian Sewell

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Edward Burne-Jones, The Wine of Circe

Brian Sewell's art books of the year 2011

From Antico to Zoffany, 2011 has been distinguished by works of scholarship, flair and fun

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The sex life of Brian Sewell: Story of my 1000 lovers

Sex began for Brian Sewell in 1959. In this exclusive extract from his autobiography, the Evening Standard's art critic reveals how he abandoned religion and discovered the pleasures of the flesh on London's streets at the age of 28

Great Works: 50 paintings explored by Tom Lubbock

Read at a sitting, Great Works: 50 Paintings Explored is an indigestible accumulation of maverick ideas but I could not put it down

It did me good but National Service won't work now

The riots have prompted David Cameron to relaunch his National Citizen Service - but there's a better solution

No gallery can guarantee the safety of paintings

One of the treasures scheduled for the National Gallery's exhibition devoted to Leonardo da Vinci is the Portrait of a Lady with an Ermine, from the Czartoryski Museum in Krakow. The authorities there are now, however, troubled by the recent attack on two paintings by Nicholas Poussin in Trafalgar Square and the loan of their Leonardo seems to be in doubt. If, they argue, a man can just walk into the gallery and spray red paint onto a masterpiece, they are justified in supposing that their rare and beautiful painting is at risk.

In Defence of Dogs by John Bradshaw - review

Having studied the behaviour of dogs and their owners for more than a quarter of a century, John Bradshaw, has redrafted his research papers as a continuous text for the common reader

Sewell and Saatchi ... our critic on the collector's impact on art

A collector with a voracious appetite and an advertiser's taste for all things sensational and immediate, Charles Saatchi is the most important force in contemporary art, says our critic

Golden wonders from Afghanistan

Thanks to the courage of a handful of Afghan officials at The National Museum in Kabul, a hoard of treasures was saved from Taliban destruction and is now on show in London, bringing cultural clues of life before political borders were drawn

John Galliano's art is greater than the man behind it

I have seen enough of both the drunkard and the addict to know that the loosened tongue of abuse does not speak the truth - Pliny, two thousand years ago, was wrong with his "in vino veritas"

Jan Gossaert and the one that got away

If the National Gallery's new show promises to reassess the Flemish Gossaert in the light of the Renaissance, it should have included his almost lifesize, near-pornographic Neptune and Amphitrite

Watercolour wonders at Tate Britain and Courtauld Gallery

The bigger of two new exhibitions devoted to watercolour demonstrates the beauty of the art as much as it clouds the picture with naive enthusiasm for the craft

The beauties and the beasts

The major galleries promise the earth in their shows this year — but what will they deliver?

First sketch to final study - the best Christmas books for Art lovers

An analysis of drawing, the dark side of Géricault and a monograph on Manet are among our Art books of the year

Why should museums be exempt? We must pay

Think of it: 42 million visitors could mean £42 million, almost enough to buy a major Titian every year

Islington’s dog-walkers should be pooh-poohed

It's the basic rule of dog-walking in London - but the pooper snoopers of Islington seem to suggest otherwise

Salvatore Rosa: Where the wild things are

Salvator Rosa is not as famous as some of his 17th-century contemporaries but the terrible beauty of his landscapes has proved a powerful influence on the history of British art

Salvatore Rosa: Where the wild things are

Salvator Rosa is not as famous as some of his 17th-century contemporaries but the terrible beauty of his landscapes has proved a powerful influence on the history of British art

A weekend in the country is like a prison sentence

Those in other cities might want to get away from chaos and overcrowding but the Londoner from London? No

Why my weapon dog, Lottie, is no threat to you

What shall we do about status dogs, attack dogs, killer dogs, their macho leather harnesses and collars studded and spiked?

The gifted know a Caravaggio when they see one

The exhibition of Caravaggio’s paintings that held all Rome in thrall throughout the early summer has just closed. One consequence is that the world and his wife now think they know everything about the great painter

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