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William Gaunt

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Wilton casts her spell in The Family Reunion

26.11.08
The Donmar launches its T S  Eliot season by reminding us what a magical, entrancing experience The Family Reunion can be.... more

Poetry in motion for TS Eliot Festival

15.10.08
The celebration of the work of modernist poet, playwright and critic TS Eliot is ambitious even by the Donmar's standards.... more

A perfect feast from Handel

18.08.08
The Orchestra and Choir of the Enlightenment responded magnificently to Charles Mackerras's spirited, authoritative direction during their performance of Belshazzar at the Proms.... more

Even Chekhov threw it out

27.05.08
Philip Franks's mildewed production of The Cherry Orchard neither grows nor flowers but droops through four arid acts, says Nicholas de Jongh.... more

King Lear fails to wrench the heart

29.11.07
Although praise was heaped by most critics on Ian McKellen's King Lear at its Stratford premiere, Nicholas de Jongh remains unconvinced of its greatness and unmoved by its performance.... more

The fall of a high-flying bird

28.11.07
Trevor Nunn's production of The Seagull is hampered by monotonous langour, conceptual vagueness and melodramatic pointing.... more

The return of the King

20.11.07
The West End transfer of Sir Ian McKellen's debut as King Lear is already a sell-out.... more

Nunn's Lear arrives, but is hardly worth the wait

01.06.07
Ian McKellen's performance as King Lear in Trevor Nunn's gaudy production keeps you on the edge of your seat but is rarely moving, says Nicholas de Jongh.... more

Why is Lord Leighton in the dark?

08.01.07
The Victorian painter Lord Leighton thought his drawings of 'irreplaceable value', which is the reason the curators of his legacy hide them from the light and display them in such gloom.... more

A touching last act

24.11.06
Frank McGuinness's bitterly comic, beautifully observed play Gates Of Gold alludes to the courage it took to be flamboyantly gay and is both painful and poignant, says Nicholas de Jongh.... more


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