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Absent Friends, Harold Pinter Theatre - review

First night: Absent Friends makes grief funny - a rare feat. And although Alan Ayckbourn's 1974 play is a period piece, its sharp understanding of psychology feels up-to-date Comments

The Heresy of Love, The Swan Theatre, Stratford-upon-Avon - review

While too many scenes are earnestly loquacious, there's power in Helen Edmundson's positive feminist vision of Juana In�s de la Cruz Comments

Suspiro Flamenco/Manuela Carrasco, Sadler's Wells - review

This is flamenco with roots as deep and old as dance itself - a woman letting the music inhabit her, and calling on the spirits to do likewise Comments

Sex With a Stranger, Trafalgar Studios - review

First night: Phillip Breen's intimate production is absorbing and the committed performances make this a satisfying, unsettling experience Comments

Masterclass, Vaudeville - review

This is exactly what the title says: the occasion for a magisterial and classy performance from Tyne Daly as the wildly popular soprano Maria Callas Comments

My play's a big noise at Old Vic but I thought no one would stage it

It has become the highest-grossing Old Vic show since Kevin Spacey took over at the theatre's helm Comments

The Rodin Project / Russell Maliphant Company - review

Russell Maliphant's new work opens, appropriately enough given the artist who inspired it, like a fin de si�cle fantasy of classical Greece Comments

Angle: Repentance / Behind the Lines - review

Angle is a theatre company which sets out to discovers new playwrights, developing and presenting work by previously unheard voices Comments

The Changeling, Young Vic - review

First night: Jam, jelly and custard do not usually play a large part in The Changeling. The opening night shows a messy approach to a tale of tragedy and vengeance Comments

Wayne McGregor/Candoco/Hofesh Shechter, Sadler's Wells - review

At first sight this evening was a pretty disparate bit of packaging. An excerpt from Wayne McGregor's FAR was followed by Set and Reset/Reset, Candoco Dance Company's reworking of an Eighties minimalist classic by Trisha Brown Comments

The Dream/Song of the Earth/Royal Ballet, Covent Garden - review

The unenviable task of making us forget that there was ever a Sergei Polunin at the Royal Ballet fell to Steven McRae, and was made all the more difficult by the role in which he had to do it Comments

The Pitchfork Disney, Arcola - review

Ridley's writing delights in metaphor and is often intriguing, yet it's rather too effortfully enigmatic. Ultimately the surrealism and operatic gestures feel punishing Comments

She Stoops to Conquer, National (Olivier) - review

First night: She Stoops To Conquer is almost 240 years old, but Oliver Goldsmith's tightly plotted play seems wonderfully youthful in this fizzy production Comments (1)

Port Authority, Southwark Playhouse - review

Despite flashes of lyricism and humour this production doesn't grip us. Although McPherson's piece is inherently static, the decision to seat the actors in front of an array of empty crates emphasises the lack of vitality Comments (1)

Katherine Kelly on theatre and in Coronation Street

Street star's West End coronation

Former Coronation Street actress Katherine Kelly has been hailed as a new star of the West End stage after swapping leopardskin and Lycra for the corsets of 18th Century comedy Comments (1)

She Stoops to Conquer, National (Olivier) - review

Midnight Tango, Aldwych Theatre - review

Strictly Come Dancing stars Vincent Simone and Flavia Cacace hang their tango showcase on a narrative thread - twinned tales of a boy overcoming his sleazy rival to win the girl, and an elderly couple rekindling the fire in their relationship Comments