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Critics' Choice

Film

Andrew O'Hagan

quoteNew Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of itquote

Andrew O'Hagan The Twilight Saga: New Moon Theatre

Henry Hitchings

quoteA smart, prickly and rewarding view of sexual and emotional confusionquote

Henry Hitchings Cock Restaurants

David Sexton

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Reader reviews

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Adam, Harrow

quoteToo long and drawn out but very entertaining with excellent special effectsquote

2012 Theatre

Rob, London

quoteThis is a peculiar play and does not work for me. Some of it is very funny but there are real flawsquote

The Habit Of Art Music

Bernard, London

quoteAlex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factorquote

Alexandra Burke

LOTR wheels out stage for £25m musical

By Valentine Low, Evening Standard 02.03.07

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            Lord of the Rings stage

About turn: the automated frame that will work the stage for the Lord Of The Rings show at the Theatre Royal Drury Lane


            Lord of the Rings stage

The battle of Helm's Deep in the Toronto production that received mixed reviews

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Right now it is a massive revolving wheel, a complex web of wires, struts and machinery.

But in a few weeks it will be transformed into Middle Earth for what is easily the most expensive musical to be seen in the West End.

This moving floor - nearly £1million worth of automated engineering - will be the basis of the set that will see the stage of the Theatre Royal Drury Lane turned into mountains, valleys and battle scenes for the £25million production of The Lord Of The Rings.

With three "revolves" - as the rotating wheels are known - and 17 "lifts", all of which can move independently, it will allow the show's producers to change the shape of the set to an almost-unprecedented degree without the actors having to leave the stage.

Previously, the most expensive West End production was Chitty Chitty Bang Bang, which cost £6.2 million to stage.

Lord Of The Rings producer Kevin Wallace said: "It's like a landscape changing as the actors move through it and over it. It's like you're watching something which is almost cinematic visually - but it's three-dimensional."

One of the most dramatic scenes where the revolving stage will be used to full effect is the battle of Helm's Deep. It will rise and fall to show the Orcs first preparing for battle and then storming the citadel. Another is in the first act, when Frodo and the other hobbits are fleeing the Black Riders.

Wallace said: "It subtly changes its configuration as they are running through the Ford and along the roads of Middle Earth, trying to get to Rivendell. It is constantly changing."

The stage, built by Delstar Engineering of Suffolk, cost £450,000 to construct and about the same again to automate, he added. The production, which will start previewing in May, has been changed substantially since it was first seen in Toronto last year, where it was greeted with mixed reviews.

It has been cut down to three hours and will feature new musical numbers by the show's composer AR Rahman.

Wallace said: "What we have made is a piece of musical theatre for non-Tolkien audiences."

James Loye, from the Canadian production, plays Frodo, Malcolm Storry is Gandalf and Laura Michelle Kelly is Galadriel.


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Reader views (2)

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I was fortunate in seeing this technical masterpiece last year. I enjoy the technical aspects of theatre, and was intrigued by the revolve's capabilities. Is there a working DVD available to purchase as to how the show was put together. Please, anybody out there. This is something to keep as I am sure something of this magnitude will not be done again. I am sure the revolve will not be touring in its present form, due to some theatre's constraints.

- Willy, Johannesburg South Africa.

Just come back from seeing one of the preview shows - this is a must see. I spent the whole show with my jaw on the ground, it is superb, a visual treat from beginning to end. Laura Michelle Kelly is outstanding but to be fair the whole casting is a triumph. From the moment you enter the theatre you will be enchanted.

- Julian Quirk, Swansea


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