Weather Tonight: 8°c Mostly cloudy Morning: 10°c Cloudy

Theatre

London,

Restoration


Rating: 3 out of 5 Kieron Quirke's rating
Rating: 3 out of 5

Reader rating

Your rating

one star two star three star four star five star

Click on a star to rate

Hackney Empire Mare Street, E8 1EJ

Phone: 0208985 2424

Website: www.hackneyempire.co.uk

Extra info: Pub

Transport: BR: Hackney Central Overground network , Tube / Bus: Buses: 22/22a/30/35/38/55/106/236/253/277 Transport for London

Fools enslaved to hierarchy

Restoration
Restoration is smoking with a huge, righteous anger

By Kieron Quirke
27 Sep 2006


An excess of bad music had me out of love with Rupert Goold's revival of Edward Bond's 1981 play for Headlong (formerly the Oxford Stage Company).

Flashing with wit and smoking with a huge, righteous anger, for a while Restoration reminds us how great a writer Bond is, only for a few too many off-key notes to break the spell.

It starts off, as the title suggests, as a Restoration comedy. The fop Lord Are resolves to marry an industrialist's daughter to keep himself in pink hats, and the situation for comedy is set.

Bond brilliantly pastiches the quipstrewn badinage of the genre, his skill highlighted by Mark Lockyer's superb performance, oozing charismatic, complacent evil. Yet this is not a homage, and three scenes in our expectations are confounded by an hilarious manslaughter. Valet Bob is framed for the crime. Compliant through his vacuous loyalty to his master, he faces the gallows.

Bond's eye is on society, and it is not kindly. From the black-hearted Lord to the penny-pinching Hangman's wife to the delusional Bob, the play is amusingly populated by the ignorant and dehumanised, enslaved to convention and hierarchy-for all that they declare themselves free. We are helped to see this by a succession of songs whose metaphors or direct tirades guide us towards the message.

The author has written two new songs for this production - a mistake. The directness of references to Stop The War marches make his other musings on the timeless problem of power and authoritarianism feel academic. Worse, Adam Cork's musical arrangements, meandering vocal lines backed up by early baroque instrumentations, become more insufferable for their lack of variety and for the cast's poor vocals.

The songs make tedious a second half that already springs few surprises. The willingly oppressed remain willingly oppressed and the oppressors remain indifferent. Bond, having impaled his satirical target, seems to stand around, his sword still embedded, wondering what else to do.

• Until 30 September (020 8985 2424); www.hackneyempire.co.uk

Details are correct at the time of publication - please check with venue before booking.

Reader views (0)

 Add your view

No comments have so far been submitted.


Add your comment

 

Terms and conditions Make text area bigger You have  characters left.

We welcome your opinions. This is a public forum. Libellous and abusive comments are not allowed. Please read our House Rules.

For information about privacy and cookies please read our Privacy Policy.


 

Theatre top five
Matilda The Musical
Matilda: The Musical

Cambridge Theatre

Earlham Street, WC2H 9HU

Rating: 5 out of 5
The Comedy Of Errors

National Theatre

SE1 9PX

Rating: 4 out of 5
Hamlet

Young Vic

The Cut, SE1 8LZ

Rating: 4 out of 5
The Ladykillers

Gielgud Theatre

Shaftesbury Avenue, W1D 6AR

Rating: 4 out of 5
Noises Off

Old Vic

The Cut, SE1 8NB

Rating: 4 out of 5