Weather Tonight: 3°c Partly Cloudy Night Morning: 6°c Cloudy

Theatre

London,

Royal Ballet Triple Bill


Rating: 4 out of 5 Sarah Frater's rating
Rating: 3 out of 5

Reader rating

Your rating

one star two star three star four star five star

Click on a star to rate

Royal Opera House Floral Street, WC2E 9DD

Phone: 0207304 4000

Website: www.roh.org.uk

Email: onlinebooking@roh.org.uk

Opening hours:

Extra info: Pub, Food, Air Conditioning

Transport: Tube: Covent Garden Transport for London , Tube / Bus: 1, 4, 6, 9, 11, 13, 15, 23, 26, 68, 76, 77a, 91, 168, 171, 176, 188, 501, 505, 521, X68 Transport for London

Great start to a leap year

Royal Ballet: magical
Royal Ballet: magical

By Sarah Frater
6 Oct 2006


The Royal Ballet opened its 2006/07 season last night, and although no one is complaining about the women, it was the men that shone from first to finish.

It may be the programme, three abstract ballets from the Seventies with huge moves for the men; it could be the big music (Stravinsky, Poulenc and Janacek); it could just be that the Royal has had so many lovely ballerinas for so long that we didn't see the men, or at least not clearly.

Either way, they literally leapt into focus yesterday, dominating all three ballets, and then circling your head like ghosts from magic lanterns long after the curtain came down.

Admittedly, Jiri Kylian's exuberant Sinfonietta was always a better ballet for the men than the women ( they struggle with Wafty Skirt Syndrome). It begins with a glorious sequence of accumulating leaps for the men, who then seem to collect each other in corralling runs, and then centrifugally pull together in accelerating spins. Buoyed on high by antiphonal trumpets, Jose Martin, Ricardo Cervera and Martin Harvey looked like they'd never come down.

In Glen Tetley's Voluntaries, Rupert Pennefather and Thiago Soares achieved the near impossible of distracting your attention from Sarah Lamb, a spare American who has quickly established herself in the Royal's top ranks.

Pennefather and Soares were rising last season, but on the opening night of this one they were exemplary partners in the luminous pas de trois. In the pas de deux, Federico Bonelli was on a par with the awesome Alina Cojocaru, and in the corps, Steven McRae and Thomas Whitehead looked especially crisp.

It was a similar story in Stravinsky Violin Concerto. Johan Kobborg we know is a dancer of rare intelligence, but even Edward Watson, who can be variable, held his own against Darcey Bussell in this late Balanchine dazzler whose deceptively casual, quirky gestures actually tell a tale of rigour and precision. Antonio Pappano, the Bill Stilton of the Opera House, conducted from the pit. His presence was palpable.

.In rep until 16 October. Information: 020 7304 4000. www.roh.org.uk.

Details are correct at the time of publication - please check with venue before booking.

Reader views (0)

 Add your view

No comments have so far been submitted.


Add your comment

 

Terms and conditions Make text area bigger You have  characters left.

We welcome your opinions. This is a public forum. Libellous and abusive comments are not allowed. Please read our House Rules.

For information about privacy and cookies please read our Privacy Policy.


 

Theatre top five
Matilda The Musical
Matilda: The Musical

Cambridge Theatre

Earlham Street, WC2H 9HU

Rating: 5 out of 5
The Comedy Of Errors

National Theatre

SE1 9PX

Rating: 4 out of 5
Hamlet

Young Vic

The Cut, SE1 8LZ

Rating: 4 out of 5
The Ladykillers

Gielgud Theatre

Shaftesbury Avenue, W1D 6AR

Rating: 4 out of 5
Noises Off

Old Vic

The Cut, SE1 8NB

Rating: 4 out of 5