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Theatre

London,

Little Madam

Description: A witty new political drama written by James Graham, about a young girl sent to her room above her father's grocer shop in Grantham, as punishment. The girl, Margaret Roberts, ventures on a fantastical journey, joined by her friends Cecil P, who's under the bed and Teddy, who's been hiding in the toy chest.



Rating: 3 out of 5 Fiona Mountford's rating
Rating: 3.5 out of 5

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Dir: Kate Wasserberg.

Cast: Finborough Theatre

Finborough Theatre Finborough Road, SW10 9ED

Phone: 0207244 7439

Website: www.finboroughtheatre.co.uk

Email: admin@finboroughtheatre.co.uk

Extra info: Pub, Food

Transport: Rail/Tube: West Brompton; Tube: Earls Court Transport for London , Tube / Bus: 11, 14, 22, 74, 190, 211, 328, C1, C3, N11, N14, N22, N97 Transport for London

Maggie is sent to her room

Little Madam
Catherine Skinner and James Allen as little Maggie Roberts and her father Alfred

By Fiona Mountford
5 Oct 2007


Just reading through my review notes on this show makes me feel quite exhausted. "Keynesian economics", "trade deficit", "IRA hunger strikes": you see, the "little madam" in question is a certain Margaret Roberts.

Anyone who knows anything about this particular life knows Britain's first woman Prime Minister packed a lot in and therefore that any dramatist, no matter how talented, in is danger of drowning in detail.

Much like Thatcher's reign itself, James Graham's play goes on far too long. It's an alarming moment when, at 10.15pm, we realise we're still in 1983. Thanks to Graham's nifty structure, though, we're also still in 1937, with the 12-year-old Margaret banished for insubordination to her bedroom above her father's grocery store in Grantham. A stash of anthropomorphic toys, the only companions for this stern, frowning child, are passing the night providing snapshot glimpses of a startling, intransigent future.

Just as in life, Maggie's opponents here - Bobby Sands, the Archbishop of Canterbury, a miner - aren't any match for her, which sees Graham, and therefore director Kate Wasserberg, struggle to sustain interest as she steamrollers ever onwards through increasingly schematic scenes. Apart from a spot of eyelash batting at Cecil Parkinson and his rakish selection of ties, it's privatisation as usual.

Nonetheless, Catherine Skinner gives a magnificent central performance that ranges from occasional girlish giddiness to unturnable lady of iron. It's a shame that work as good as this will get overlooked in the forthcoming awards flurry.

As for Graham, at only 25 his potential is undisputed. Let's just hope his toys advise him to be more concise next time.

• Until 27 October. Information: 0870 4000 838, www.finboroughtheatre.co.uk.

Details are correct at the time of publication - please check with venue before booking.

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