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Theatre

London,

The dYsFUnCKshOnalZ!

Description: Bush Theatre presents Mike Packer's comic drama about a former punk band tempted by an extremely good deal from an American corporation.



Rating: 3 out of 5 Fiona Mountford's rating
Rating: 3.5 out of 5

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Cast: Bush Theatre

The Bush Theatre Goldhawk Road, Shepherd's Bush, W12 8QD

Phone: 0208743 5050

Website: www.bushtheatre.co.uk

Email: info@bushtheatre.co.uk

Extra info: Pub

Transport: Rail/Tube: Shepherd's Bush; Tube: Shepherd's Bush Market/Goldhawk Road Transport for London , Tube / Bus: 49, 72, 94, 95, 207, 220, 237, 260, 283, 295, 607 Transport for London

Anarchy and the midlife crisis

Spirit of punk: Rupert Procter (Billy Abortion) and Louise Gash (Julia Ford) in full cry at the Bush Theatre
Spirit of punk: Rupert Procter (Billy Abortion) and Louise Gash (Julia Ford) in full cry at the Bush Theatre

By Fiona Mountford
21 Nov 2007


We have Johnny Rotten to thank for this. If the former Sex Pistol hadn't gone for his rumble in the Australian jungle in I'm a Celebrity, playwright Mike Packer would most likely not have come up with this rollicking look at an old punk band confronting today's degraded celebrity culture. Socking it to The Man is all very well but what price principles when £200,000 is on offer?

Back in the Seventies, the titular four-piece - Billy Abortion, Marc Faeces, Louise Gash and, er, John Smith - clung fleetingly to the ripped shirt-tails of fame. After a gruesome incident in a Copenhagen hotel room, the group split, never to speak again. But 30 years on, with Abortion working as a supermarket shelf-stacker, The Man has come calling.

An American company wants to use Plastic People, the ultimate anti-consumer anthem, to advertise a credit card. Awkwardly, all four band members have to consent to the project.

Packer, ably aided by director Tamara Harvey, keeps this whizzing along, with twist following turn in the great corporate sell-out. Such momentum almost disguises the fact that Packer wants to smash his microphone and still be heard at the back.

Yes, swapping your proudest creation for a branded T-shirt is pathetic but so is a late fortysomething railing against everything. Thus tHe dYsFUnCKshOnalZ! lurch from being heroes to figures of fun, before settling uneasily in the vacuum in the middle.

It doesn't help that there's a paint-by-numbers feel to individual back-stories, or that the grisly Danish episode is brushed off so lightly. The group as an individual entity is the most compelling character, especially during the high-octane musical interludes. The songs are more memorable than the offerings from many musicals and the actors are impressively nifty with their instruments.

Procter keeps Abortion's face contorted in an almost parodic snarl as he commits continual career suicide in front of a media desperate for more. Pearce Quigley is a delight as Smith, whose stunned-stoned stuttering lightens the circling gloom. A definite case of Never Mind the Glitches.

Until 22 December. Information: 020 7610 4224, www.bushtheatre.co.uk.

Details are correct at the time of publication - please check with venue before booking.

Reader views (3)

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Absolutely brilliant - the funniest tragedy in town - witty and fall out of your seat hysterical yet moving and painful. The acting is outstanding and the pace and pathos perfection.
Wish I'd seen it earlier - I want to go again - and again!
Please transfer it like Elling or tour it!
Many Thanks and a Happy New Year to one and all!

- Dave J, London UK, 22/12/2007 12:38
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Fiona Mountford is such a good young writer. The Standard is blessed to have a strong individual second voice alongside that of Nicholas de Jongh.

- Mike, London W14, 02/12/2007 16:36
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This is such good fun! Fully recommended.

- Peter, London W11, 27/11/2007 23:52
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