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Theatre

London,

Wicked

Description: A musical about the Wicked Witch Of The West. Based on Gregory Maguire's novel of the same name, with music and lyrics by Stephen Schwartz.



Not rated Evening Standard rating
Rating: 4.5 out of 5

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Dir: Joe Mantello.

Cast: Clive Carter, Louise Dearman, Julie Legrand, Rachel Tucker, Zoe Rainey, Ben Stott, Mark Evans, Julian Forsyth

Apollo Victoria Theatre Wilton Road, Westminster, SW1V 1LG

Phone: 0844826 8000

Website: www.apollovictoria.co.uk

Extra info: Air Conditioning, Pub

Transport: Rail/Tube: Victoria Transport for London , Tube / Bus: 2, 23, 36, 38, 44, 73, 148, 185, 436, 507, C1, C2, N2, N38, N44, N73, N136 Transport for London

Times: Mon-Sat 7.30pm, mats Wed, Sat 2.30pm, extra mats Dec 22, 27, Feb 16, Oct 25 2012, 2.30pm, no eve perf Dec 24, extra mat perf Jul 26 2012, no perf Jul 27 2012, booking to Oct 27 2012

Price: Mon-Fri eves/mats £15-£62.50, Sat eves £15-£65, 24 front row day tickets priced £27.50 each released 10am at the box office, maximum two per person

Magical alternative to panto

Kerry Ellis as Elphaba
Going green: Kerry Ellis as Elphaba, the Wicked Witch of the West

Liz Hoggard, Evening Standard 7 Jan 2008


There is something about panto that makes my skin creep. Probably because I remember all those years of being dragged to see Jack and the Beanstalk starring The Krankies in the Seventies.

The posh children would sit near the front and be invited on stage to win all the prizes. People would laugh at the plain or gay characters. The bullies triumphed as ever. Even in these days of alternative panto - where it's more likely to have been scripted by Stephen Fry or Mark Ravenhill - I remain extremely nervous about the message.

Which is why if you're looking for a post-Christmas show for the kids, I'd recommend Wicked. It's been around for over a year now, but the hit musical is just as powerful and subversive as ever.

Based on the cult novel by Gregory Maguire (who adapted the original Wizard of Oz story), it's a fabulous night out, with kitsch costumes, ruby slippers and an Emerald City to rival any computer game.

Having opened to mixed reviews in September 2006, Wicked has become one of London's most fervent cults, inspiring extraordinary devotion in fans gay and straight.

Any teenager who's ever felt like an outsider will relate to the story of bookish outcast, Elphaba (born a fetching shade of green) whose harsh treatment by her peers earns her the name the Wicked Witch of the West. Which, no doubt, is why Ed Balls recently chose the show to launch a £3 million anti-bullying campaign, appearing on stage with the actors.

In between the show tunes, there's a very adult allegory. The original Judy Garland film was made in 1939 on the eve of Nazi domination. When Maguire came to adapt the modern version in the 1990s, he was living in London at the time of the James Bulger case and the Gulf War. He says he wanted to explore the root of incomprehensible evil - and whether Saddam Hussein was the next Hitler. So Oz becomes a land of animal experimentation and a yellow brick road built by Munchkin slave labour.

I'm making it sound too worthy. Wicked is a great big luscious Broadway extravaganza with two strong female leads and a lot of power ballads. But there's medicine in with the sugar.

Box office: 0844 826 8000.

Details are correct at the time of publication - please check with venue before booking.

Reader views (3)

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I waited for so long to go over and see this musical and i can tell you that it exceeded my expectations , it was ridiculously amazing in every aspect , and i do not understand how any of you are critising the music . . . i have seen several shows on westend and this was by far my favourite x

- Ruth Connolly, Co.Meath , Ireland, 07/12/2008 23:00
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This is just a product not theatre. It's just a spectacle. Cross the road to Billy Elliott if you want real theatre.

- Gareth James, London, UK, 08/01/2008 06:41
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I went with high expectations to see this musical, having tried to see it in New York, and it was quite frankly the dullest evening of my life. From the opening bars of the first song, I had the grim realisation that we were in for a Broadway musical by numbers. The tunes are not only unmemorable but horribly dated. In fact, they reminded me of Annie. And it's all way too long.

- Tony Mcmahon, London, UK, 07/01/2008 17:05
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