An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
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The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
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I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
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Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,




Description: Tim Fountain's drama about Henry Willson, the unscrupulous but steadfastly loyal agent behind 1950s screen idol Rock Hudson. Starring Bette Bourne.
Trains: Tube: Oval
Phone: 0207582 7680
Website: www.ovalhouse.com
Probe deeper: Rock needs to examine homophobia more
Tim Fountain’s fascinating, apparently true-life play views the dilemma of being gay in 1950s Hollywood from the differing perspectives of Roy Fitzgerald, a hick young man who aspires to be a film star, and Henry Willson, a famous agent, who triumphantly subjects him to a Pygmalion-like process of change.
Tamara Harvey’s sensitively nuanced production, enhanced by a sombre Edward Hopperish office and Hockneyish pop art view of Hollywood designed by Morgan Large, creates just the right mood.
When young Roy, played by Michael Xavier, appears in Willson’s office, he seems about as much male sex-symbol material as Kenneth Williams. He is high-voiced, physically awkward and tentative. Yet Willson, the maestro of abrasive, outspoken cynicism in the charismatic, comic performance of Bette Bourne sees movie potential in his looks and physique.
The business of converting Roy Fitzgerald into Rock Hudson, of making the cissie-boy butch, is accomplished in over-compressed scenes of high comedy. Xavier, a real theatrical discovery, charts the masculinisation procedure with convincing assurance. The impassive Willson, to whom Bourne lends the perfect air of closeted misanthropy, revels in showing Rock how to walk tall and speak with low-voiced confidence. Thanks to Willson’s publicising flair, Rock is quickly launched upon his career as a star, though it is not long before he consents to marriage to stem the tide of malign whispers.
Fountain conveys a vivid impression of the witch-hunting, McCarthyite times, with gay male stars under surveillance. Yet he needs to probe deeper and explain more about the impact of 1950s homophobia on the two men and their private lives. There are psychological, sexual and political matters left unexplored in this evocation of a Hollywood that 50 years on still keeps gay stars in closets.
Until June 21 (020 7582 7680).
Details are correct at the time of publication - please check with venue before booking.