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New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Sarah Frater's rating
Reader rating
Dir: Mark Baldwin.
Cast: Rambert Dance Company
Description: Work by artistic director Mark Baldwin with a programme including works by Garry Stewart and Christopher Bruce.
Trains: Tube: Angel 
Phone: 0844412 4300
Website: www.sadlerswells.com
Saving grace: there are potent solos and duets in Eternal Light
In the past year or two, new Rambert productions have tended to feature digital-smash music and pump‑shudder choreography. They are aimed at the young and evoke the club culture that young people favour, which is fine and dandy, except that when you see the company perform work that taps an older and more spiritual tradition, the dancers are transformed.
Artistic director Mark Baldwin has created a 50-minute work that is set to a new Requiem by Howard Goodall. Even Christians may not know the liturgical tradition but Baldwin and Goodall have brought these prayers for the dead to life, as well as providing consolation to those who mourn.
The piece is not without annoyances — such as the women’s white Lycra belled trousers. These hide their pretty feet and make their thighs look hefty — quite an achievement when you think that dancers are often slender to the point of skinny.
Another no-no was the bird costume, which might have affectingly evoked the flight of the soul, only it includes a giant beak that reminds you of a parakeet. “Who’s a pretty boy, then?” you can’t help thinking.
When I mention the borderline‑camp crystal crucifixes that descend from the ceiling, some over-populated, under-choreographed group dances, and Baldwin’s programme note about getting the dancers to create “phrases” (what happened to choreography?), you may wonder where the three stars are coming from.
The answer is the potent solos and duets, and fine performances from the choirs of Christ Church Cathedral Oxford, and Finchley Children’s Music Group. The solo to the Litany (complaint) is powerful stuff. The dancer wears a vibrant green long dress and feathered head-dress, and moves crab-like on all fours. She is wonderfully attired but her movement conveys her struggle.
The male solo to Hymn is a vibrant, sling-shot piece, and the group dance to Dies Irae (Day of Wrath) conveys the human waste of war.
In an ensemble work, Jonathan Goddard stood out. The one‑time dancer with Richard Alston is now with Rambert, and although not given a solo of his own, he stole every group scene.
Until 15 November. Information: 0844 412 4300. www.sadlerswells.com.
Details are correct at the time of publication - please check with venue before booking.
