A Midsummer Night's Dream for novelty seekers
By
Fiona Mountford
13 Nov 2008
If you have traipsed across an unlit park on a chilly November night to sit in a tent and watch a show about summer revels, the chances are that you are determined to have a good time. I must report that many of the audience in the (well heated) big top pitched by travelling theatre company Footsbarn were positively rapturous about these two hours in the enchanted Athenian wood but for me it was one of the longest and most dream-free nights of the theatrical year.
Footsbarn pride themselves on the carnival atmosphere of their shows, with onstage musicians, masks and colourful costumes but jolly japery can only go so far. Here, unfortunately, it hardly goes anywhere, as the acting is almost uniformly woeful. An international cast, a couple of them with prohibitively strong accents, do things to an iambic pentameter that would make your eyes water.
Despite an elaborate set of greensward dominated by a large, gnarled oak, director Patrick Hayter gives no sense of magic that could work for good or evil, or young love that is truly in peril. Instead it’s all — too often literally — bells and whistles, as the intrusive noodlings of the musicians vie for aural supremacy with the mangling of the verse.
There is furious mugging from nearly everyone, not least the rude mechanicals, who have never before made the tale of Pyramus (peculiarly pronounced here Pyr-AH-mus) and Thisbe more tedious and less brief.
Caroline Piette’s Hermia gives fleeting glimpses of the way the lovers’ trials, oddly truncated at the conclusion, could have been anchored in some sort of emotional veracity. Nonetheless, she has an unenviable choice of suitors, as both Lysander and Demetrius look as though they should be getting their OAP bus passes rather than their wedding certificates. When Muriel Piquart’s gurning Helena declares herself spurned by everyone, we can’t help but feel she’s got the better deal.
Novelty seekers might give this a try. Everyone else is strongly advised to wait for the superb RSC Dream that is coming to the Novello in January.
Until 30 November (0844 755 0017,
www.footsbarn.com).
Details are correct at the time of publication - please check with venue before booking.
Reader views (1)
It's hard to believe your reviewer was in the same Big Top as me last night, although she did apparently manage to pick up on the fact that the HUGE crowd around her was "positively rapturous".
It's true, there ARE some very odd things on display in this show: that Pyramus pronunciation, certainly; a Puck who looks and acts like an All Black forward doing the Haka; a lithe Japanese Titania speaking throughout in an impenetrable French accent; a selection of small children from the audience getting under the performers' feet (one small boy hilariously producing a torch from his pocket when the stage suddenly filled with swirling "smoke")...but it was thrilling: one had no idea what insanity would strike next - which must surely have always been the playwright's intention with this piece of fluffy, good-natured Light Entertainment from 1595.
Would that everyone could have an introduction to Shakespeare's work so geared towards imagination and laughter. Iambic pentameters? Give me Bottom's ears any day.
- Ric Cooper, London UK, 13/11/2008 16:22
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