Farcical antidote to seasonal goodwill in Loot
By
Nicholas de Jongh
16 Dec 2008
Take an embalmed corpse, a glass eye, a coffin stuffed with bank-notes, a police inspector as crazy as he is corrupt and a nurse addicted to killing her husbands. As an antidote to our annual dose of Christmas goodwill and spiritual smugness the Tricycle offers Joe Orton’s ingenious blast of bad-taste satire, a mocking Wildean piece from the 1960s whose extravagantly farcical plot is too absurd to accept with a straight face. But Loot does take serious aim at an England eager to wear the trappings of respectability while succumbing to immorality.
Sean Holmes’s production of this famous piece of Ortonian provocation offers no fresh insight into the author’s mind-set. Nor does it dissuade me from my conviction that Loot is the least of Orton’s three major plays. If Orton wanted to make fun of our taboos about death and corpses, if he intended to level charges against the infinite corruptibility of the Metropolitan Police and make fun of obscure Catholic sects, he would have launched a sharper attack by keeping in pointed touch with reality.
Never mind. The aphoristic Loot spirals inventively into the higher reaches of preposterousness, false reasoning and sheer lunacy. Inspector Truscott of the Yard, disguised as a man from the Water Board, probes the McCleavy household. Mrs McCleavy’s corpse lies in an open coffin while her husband mourns and Doon Mackichan’s nurse brazenly attempts to coax him to the altar, far too soon after the funeral. The fact that an undertaker (Javone Prince) and McCleavy’s son Hal (Matt Di Angelo) wish to use the coffin as hiding place for the proceeds of a bank robbery sets the plot whirring. This family seems remarkable for its lack of family feeling.
David Haig, who makes Holmes’s Loot a delectable amusement, proves the definitive Truscott. Head poking forward and gesturing like an inquisitive tortoise, nasal voice throbbing with the passion of a fanatic, Haig relishes the contrary wiliness of a man intent upon nabbing wrong-doers only to profit from their wrong-doing.
Until 31 January (020 7328 1000)
Details are correct at the time of publication - please check with venue before booking.
Reader views (1)
I am surprised that Nd J's slightly less than enthusiastic words result in a FOUR stat rating. Perhaps he has been dringing some of the wine? I will try to be a littly more objective.
This is the Trycicle Christmas offering and as usual it is well chosen and well performed. Its on for nearly two months so it has got to have both appeal and staying power to keep the auditorium full.
Its a well known and often performed play which is rather dated but still able to provide a good evening's entertainment. The cast have been carefully chosen for their skills and abilities to provide a professional performance and entertainment for the audience.
I found it to be well produced, well acted and to provide a good evening's entertainment for those who enjoy live theatre. I dont expect that anyone going to see the show will be disappointed but if anyone seriously disagrees with me you are welcome to email or telephone me or post your own review.
My reviews ate totally impartial and I pay for my own ticket and obtain no reward or benefit!
Tony Glazier
- Tony Glazier, London, 19/12/2008 00:59
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