Diamond comeback in Jewels
By
Sarah Frater
10 Jun 2009
The paradox of ballet is that while its dancers have the bearing of kings, their eyes show the heart’s true longings. You see it in Alina Cojocaru, the Royal Ballet’s tsarina who continues her tentative come-back after a year or more off injured. Cojocaru has royal lines and precision placing yet in Diamonds it was her soft gaze that spoke of trust and love and the gossamer gallantry that ballet portrays because we do not.
Her duet with the much improved Rupert Pennefather to the Andante elegiaco from Tchaikovsky’s Third was the poignant highlight of Diamonds, with Diamonds the highlight of Jewels, George Balanchine’s three-act masterpiece recently acquired by the Royal.
Jewels is usually called a plotless ballet in that it has no story except for the story of ballet itself from France’s romantic sylph (Emeralds) to Russia’s classical swan (Diamonds) to America’s modern-day cheerleader (Rubies). It’s also looks deceptively easy, which is a roundabout way of saying that those who dance it can only be tip-top.
The Royal looked confident in Diamonds but less so in Rubies and Emeralds. Rubies is easy to like. It’s a jazzy, playful piece to Stravinsky’s Capriccio for Piano and Orchestra, with the dancers as much native New Yorkers as classical dancers.
However, Alexandra Ansanelli lacked control, and Laura McCulloch looked over-stretched. Carlos Acosta was his appealing self but the corps were uncertain.
Likewise in Emeralds, although Leanne Benjamin was excellent in the so-called walking duet, and Valerie Hristov, Bennet Gartside and Steven McRae made an effective trio in the closing promenade.
In rep until 19 June. Information: 020 7304 4000, www.roh.org.uk
Details are correct at the time of publication - please check with venue before booking.
Reader views (5)
Laura McCulloch was a revelation. And Alexandra Ansanelli was indeed superb.
- Bob Daniel, Northants, 16/06/2009 13:06
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IMO the reviewer is plain wrong; Alexandra Ansanelli's dancing was superb and undoubtedly one of the highlights of the evening. She was also excellent in the Diaghilev Gala on Sunday night and will be sorely missed.
- Guy Cavendish, London, England, 11/06/2009 11:26
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I would say Ansanelli stole the show.
- Mary Barnstable, London UK, 11/06/2009 10:49
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Hear, hear!
Alexandra Ansanelli was 'tip-top'.
But, Ms Frater has never liked Alexandra Ansanelli
- Bill Boyd, London, 11/06/2009 09:51
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IMO Alexandra Ansanelli did not "lack control"- Balanchine would have loved her fearless approach. She took a lot of risks but pulled everything off brilliantly.
- Natasha, London, 11/06/2009 01:12
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