Precious is a new-style weepie but one that is much more bracing than depressing
Precious
Theatre
Ian McKellen is captivating throughout. He delights in the play’s gallows humour, yet is also maudlin and poignant
Waiting for Godot
Theatre
Slight quibbles notwithstanding, this will set the West End’s stock riding high
Enron
Utterly, utterly brilliant. You really are in for a treat
Though 'Trilogy' has won rave reviews, I personally found myself exasperated after about an hour
We went on a quiet sunday evening and the food was excellent, but the experience let down by the service and ambiance
London,




Dir: Adrian Jackson.
Cast: Cardboard Citizens
Description: Cardboard Citizens presents a look at identity, life, death and issues surrounding an intelligence operation from the Second World War.
Trains: Tube/BR: Old Street, Liverpool Street
Website: www.ticketweb.co.uk
Operation Mincemeat: fooled German soldiers
Somewhere, perhaps hidden behind a pillar on one of the floors of this disused building in Shoreditch, there lurks the perfect version of Mincemeat just waiting to be told in all its gripping simplicity.
Unfortunately, what Cardboard Citizens, that admirable professional company working with ex-homeless people, has for us in this promenade production is the decidedly flawed version of the narrative, with all its baggy frustrations.
The first 45 minutes, along with some pointless promenading, could easily be cut.
As it is, we have to plough through bewildering scenes of anarchists kidnapping a judge and the cast wittering about Hitler in a hostel in 1909 before the main thrust is belatedly revealed by writers Adrian Jackson and Farhana Sheikh.
What a thrust it is. In 1943, British intelligence devised Operation Mincemeat, in which the carefully dropped body of a dead British soldier would conceal documents designed to fool the Germans about the Allied invasion plans for mainland Europe.
Winding up thrillingly in a wonderfully recreated communal WW2 shelter, we walk through a number of scenes, piecing together fragmentary details both about the operation itself and the wretched life of the so-called Major William Martin, an unsung hero of the war effort whose personal situation chimes with this company’s concerns.
Ifan Meredith looks suitably wracked as Martin and there’s a nice through line in wartime bonhomie, even if the acting overall tends to the broad.
It’s hard, though, to comprehend how Jackson, also directing, didn’t spot how this ideal subject matter is overplayed and ponderous when it should be brisk and slick.
Until 12 July (020 7478 0100, www.sohotheatre.com)
Details are correct at the time of publication - please check with venue before booking.
I totally disagree with Fiona.
I really enjoyed the show, from the story-line to the acting.
Do go see it!
- Graziella, London
Sounds very like a film called THE MAN WHO NEVER WAS, which starred Clifton Webb and was made sometime in the 50s. Stiff upper lips abounded and the plot moved along at a cracking pace. Like all good stories should.
- Barbara Alloway, United States