Morning:
14°c
Some fares could fall by more than a third when Oyster is extended to every national rail station in London, it has emerged
More...
New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Sarah Frater's rating
Reader rating
Description: A three-ballet celebration of George Balanchine's choreography, including Serenade performed to music by Tchaikovsky, Rubies from Jewels, with music by Stravinsky and Bizet.
Trains: Tube: Covent Garden 
Phone: 0207304 4000
Website: www.roh.org.uk
Email: onlinebooking@roh.org.uk
Extra info: Food, Air Conditioning
Showcase: Balanchine’s Symphony in C gives the Mariinsky scope to show off its fabulous dancers
Sexy, even elegant sexy, is not something you associate with the Mariinsky. The imperious troupe epitomises classical perfection to which we chastely defer but while its restraint and dignity ennoble us, they hardly quicken the pulse.
However, they looked sexy last night, and just so good in their Balanchine triple bill that you half wished they’d stop the Swan Lakes and Sleeping Beauties and dance only the Russian-born choreographer’s work. It’s as if Balanchine’s plotless ballets let the dancers be themselves, which is not swans and swains, but fit 20-somethings with energy and flair.
Vladimir Shklyarov was all this in Rubies, the middle work from Balanchine’s full-length Jewels that’s often performed in mixed bills. With floppy hair and easy manners, he’s the twinkle in the eye of Stravinsky’s music (Capriccio for Piano and Orchestra), although Irina Golub and Ekaterina Kondaurova hardly slouched. I should mention these two are only soloists, and the four men in the corps of even humbler rank, yet all had a panache you’d be pushed to find in more senior European dancers.
When you think about it, the Russian visitors should be brilliant at Balanchine. Having trained at the pre‑Revolutionary Mariinsky, his classicism is their classicism, plus they have his seriousness which, in a ballet such as Serenade (to Tchaikovsky) translates into an almost unbearable poignancy. Viktoria Tereshkina was extraordinarily moving as the lead woman, somehow conveying in this plotless ballet a story of sacrifice and longing.
Tereshkina flipped to dazzling allure as the lead woman in the first movement of Symphony in C. Set to Bizet’s music of the same name, it provided the Mariinsky with yet more scope to show off its fabulous dancers, of whom no one need have any doubt.
Tonight only. The Sleeping Beauty, Friday and Saturday. Information: 020 7304 4000, www.roh.org.uk .
Details are correct at the time of publication - please check with venue before booking.
Absolutely brilliant! Ekaterina Kondaurova is an absolutely stunning ballerina and we need to see much more of her!
- Matthew, Putney, London
Excellent performance! Russian school is on TOP of the world and with all my respect it gave me an enormous amount of energy boost, fantastic pleasure and amusement with open mouth! Well done and hope to see you one day in Worthing Pavillion Theatre
- Denis, Worthing, West Sussex
