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An awesome and ridiculous film that leaves you thrilled beyond the point of your natural endurance
2012
Theatre
The show has suddenly become quite wonderful, and the galvanising factor is the terrific stage debut of Melanie C
Blood Brothers
Music
The British pop music industry may be eating itself but if Muse are the pick of what it can offer the world in 2010 then British music is in rude health indeed
Muse
I was smitten by both Gilberts enormous luxuriant moustache and the intelligence and nuance of this highly entertaining play
I totally recommend Babbo to anyone who is looking for really good and traditional Italian food
Always been a fan but never seen them live. I was ecstatic to be part of this epic event. WOW!
London,
Nick Kimberley's rating
Reader rating
Description: Composer and performer Helen Chadwick's full-length theatre-song cycle, exploring the different elements of the East End district of Dalston.
Trains: Tube: Covent Garden 
Phone: 0207304 4000
Website: www.roh.org.uk
Neighbourhood watch: Helen Chadwick pays tribute to Dalston
Half-hidden between Hoxton and Stoke Newington, Dalston lacks their cachet but as its overflowing greengrocers’ stalls and flower shops testify, it has its own off-colour glamour. What used to be a pie-andeel shop is now a Chinese restaurant; what will it be next?
The composer Helen Chadwick lives in the area and pays it a moving tribute in Dalston Songs. Her source material is interviews with local, mostly immigrant residents. Some are refugees, others reject the label but for all of them the notion of “home” is complex, confused, deeply felt. Chadwick weaves their words into her libretto but also uses their actual voices, their richly accented English providing the foundation of her “a capella theatre song cycle”.
Not quite an opera, then, nor a ballet, although both forms are just a whisker away; Chadwick herself co-directs with choreographer Steven Hoggett. The setting is an authentically Dalstonian caff where four women make a song and dance out of choosing coffee; later they are joined by four men, one a loner, the others glued to their mobiles. Little by little they reveal themselves through the words they sing and the moves they make.
Most of the singers are British, and deliver Chadwick’s half-folk, half-classical vocal lines cleanly but with feeling. A rougher, perhaps tougher counterpoint comes from Soraya Mahdaoui, a Berber, and Nawroz Oramari, whose extraordinary Kurdish yodel pierces the heart. Not that everything is pain and anguish; a joyous paean to mashed potato makes sure of that.
Until May 3. Information: 020 7304 4000.
Details are correct at the time of publication - please check with venue before booking.
