Morning:
14°c
Some fares could fall by more than a third when Oyster is extended to every national rail station in London, it has emerged
More...
New Moon is nothing if not an international advertisement for the hungry virtues of virginity and young people can’t get enough of it
The Twilight Saga: New Moon
Theatre
A smart, prickly and rewarding view of sexual and emotional confusion
Cock
Restaurants
Kitchen W8 is a bargain for this area, if such sophistication is what you crave
Kitchen W8
Too long and drawn out but very entertaining with excellent special effects
This is a peculiar play and does not work for me. Some of it is very funny but there are real flaws
Alex has a strong powerful voice and was faultless, she is far better now than she was on the X-Factor
London,
Sarah Frater's rating
Reader rating
Dir: Monica Mason.
Cast: The Royal Ballet
Description: Kenneth MacMillan's three-act ballet about a young girl torn between lovers, performed to the music of Jules Massenet.
Trains: Tube: Covent Garden 
Phone: 0207304 4000
Website: www.roh.org.uk
Email: onlinebooking@roh.org.uk
Extra info: Food, Air Conditioning
Risk-taking pays: the Royal Ballet’s production of Manon at the Royal Opera House
People talk about good ballets and bad ones but the real difference is between the casts. A mismatched pair will leave the best choreography looking flat, while dancers who physically and artistically click can transform almost any steps. Lots of dancers perform together yet few are partnerships that turn a ballet into something you can’t forget.
And that’s pretty much the story with Johan Kobborg and Leanne Benjamin, who opened The Royal Ballet’s run of Manon at the Opera House on Saturday. Kobborg normally dances with Alina Cojocaru, and their partnership needs no more laurels from me. However, Cojocaru is injured (as is Sarah Lamb), so Leanne Benjamin was the late substitute. She’s able and intelligent, yet she hasn’t danced with Kobborg enough to turn Kenneth MacMillan’s biggie into something great.
Manon is a risk-taker’s ballet. There has to be abandon in the duets MacMillan created for Manon and her lover Des Grieux. Without it, it’s just a boy-loses-girl story, rather than one of moral corruption. You have to see the pair unravel and for that the dancers have to know each other. Kobborg and Benjamin don’t, or not well enough.
That said, Kobborg and Benjamin were on good form, with their acting strong. There’s a moment in Act II when Des Grieux confronts Manon in the brothel, and she gestures to her diamonds and pearls. “Match these” you almost hear her say. It’s a desperate moment, and Kobborg is visably crushed by what she asks. Benjamin is also chilling when her brother (Viacheslav Samodurov) and Monsieur GM (Christopher Saunders) pass her between them. This is a woman who enjoys the power of her beauty and thrills to male attention, be it from a blood relation or an old man with money.
In rep until 27 November
(020 7304 4000. www.roh.org.uk)
Details are correct at the time of publication - please check with venue before booking.
