Morning:
8°c
Latest: Gordon Brown apologises for his poor handwriting and for misspelling the name of a dead soldier in a letter to the young man’s mother
More...
With a single dessert and just two glasses of wine our bill was kept in check - but the effort of doing so was not much fun
Babbo
Film
This is a film with beautiful performances and a visual style that urges you towards reflection
Bright Star
Theatre
Although the first half of Kwei-Armah’s production is pacy, funny and intelligent, the energy level then drops off
Seize The Day
I loved this film from start to finish. Take the girlfriend, tell your mum - I'd see it again tomorrow and will buy the dvd.
I saw this last night and can't remember the last time I was so moved in the theatre.
I have been to many of London's so-called best Japanese restaurants and none have been as good as the food that I've had at Aqua Kyoto
London,
Sarah Frater's rating
Reader rating
Dir: Monica Mason.
Cast: The Royal Ballet
Description: Kenneth MacMillan's three-act ballet about a young girl torn between lovers, performed to the music of Jules Massenet.
Trains: Tube: Covent Garden 
Phone: 0207304 4000
Website: www.roh.org.uk
Email: onlinebooking@roh.org.uk
Extra info: Air Conditioning, Food
Risk-taking pays: the Royal Ballet’s production of Manon at the Royal Opera House
People talk about good ballets and bad ones but the real difference is between the casts. A mismatched pair will leave the best choreography looking flat, while dancers who physically and artistically click can transform almost any steps. Lots of dancers perform together yet few are partnerships that turn a ballet into something you can’t forget.
And that’s pretty much the story with Johan Kobborg and Leanne Benjamin, who opened The Royal Ballet’s run of Manon at the Opera House on Saturday. Kobborg normally dances with Alina Cojocaru, and their partnership needs no more laurels from me. However, Cojocaru is injured (as is Sarah Lamb), so Leanne Benjamin was the late substitute. She’s able and intelligent, yet she hasn’t danced with Kobborg enough to turn Kenneth MacMillan’s biggie into something great.
Manon is a risk-taker’s ballet. There has to be abandon in the duets MacMillan created for Manon and her lover Des Grieux. Without it, it’s just a boy-loses-girl story, rather than one of moral corruption. You have to see the pair unravel and for that the dancers have to know each other. Kobborg and Benjamin don’t, or not well enough.
That said, Kobborg and Benjamin were on good form, with their acting strong. There’s a moment in Act II when Des Grieux confronts Manon in the brothel, and she gestures to her diamonds and pearls. “Match these” you almost hear her say. It’s a desperate moment, and Kobborg is visably crushed by what she asks. Benjamin is also chilling when her brother (Viacheslav Samodurov) and Monsieur GM (Christopher Saunders) pass her between them. This is a woman who enjoys the power of her beauty and thrills to male attention, be it from a blood relation or an old man with money.
In rep until 27 November
(020 7304 4000. www.roh.org.uk)
Details are correct at the time of publication - please check with venue before booking.
